The processes of finding the object are rather involved, and have as yet had no comprehensive exposition. For our purpose, let us emphasize the fact that when the process has come to a temporary cessation in the childhood years, before the latent period, the object it has found is seen to be practically identical with the first object derived from its relation to the object of the oral pleasure impulse. It is, if not the mother's breast, the mother herself. We call the mother the first _object of love_. For we speak of love when we emphasize the psychic side of sex-impulses, and disregard or for a moment wish to forget the fundamental physical or "sensual" demands of the instincts. At the time when the mother becomes the object of love, the psychic work of suppression which withdraws the knowledge of a part of his sexual goal from his consciousness has already begun in the child. The selection of the mother as the object of love involves everything we understand by the Oedipus complex which has come to have such great significance in the psychoanalytic explanation of neuroses, and which has had no small part in arousing opposition to psychoanalysis.
Here is a little experience which took place during the present war: A brave young disciple of psychoanalysis is a doctor at the German front somewhere in Poland, and attracts the attention of his colleagues by the fact that he occasionally exercises an unexpected influence in the case of a patient. Upon being questioned he admits that he works by means of psychoanalysis and is finally induced to impart his knowledge to his colleagues. Every evening the physicians of the corps, colleagues and superiors, gather in order to listen to the inmost secrets of analysis. For a while this goes on nicely, but after he has told his audience of the Oedipus-complex, a superior rises and says he does not believe it, that it is shameful for the lecturer to tell such things to them, brave men who are fighting for their fatherland, and who are the fathers of families, and he forbade the continuation of the lectures. This was the end.
Now you will be impatient to discover what this frightful Oedipus-complex consists of. The name tells you. You all know the Greek myth of King Oedipus, who is destined by the fates to kill his father, and take his mother to wife, who does everything to escape the oracle and then does penance by blinding himself when he discovers that he has, unknowingly, committed these two sins. I trust many of you have yourselves experienced the profound effect of the tragedy in which Sophocles handles this material. The work of the Attic poet presents the manner in which the deed of Oedipus, long since accomplished, is finally brought to light by an artistically prolonged investigation, continuously fed with new evidence; thus far it has a certain similarity to the process of psychoanalysis. In the course of the dialogue it happens that the infatuated mother-wife, Jocasta, opposes the continuation of the investigation. She recalls that many men have dreamed that they have cohabited with their mothers, but one should lay little stress on dreams. We do not lay little stress on dreams, least of all typical dreams such as occur to many men, and we do not doubt that this dream mentioned by Jocasta is intimately connected with the strange and frightful content of the myth.