But these primitive adventurings, these earlier pioneering quests into the realm of the speculative were all in limbo behind them, all wiped off the slate, in part forgiven, in a measure forgotten. Since that primitive beginning and those formulative middle periods Lobel Masterfilms had found their field, and having found it, now plowed and tilled it. To those familiar with the rise and the ever-forward movement of this, now the fourth largest industry in the civilized globe--or is it the third?--it sufficiently will fix the stage of evolutionary development attained by this component unit of that industry when I state that Lobel Masterfilms now dealt preponderantly with vampires. To be sure, it continued to handle such side lines as taffy-haired ingénues from the country, set adrift among the wiles and pitfalls of a cruel city; such incidentals as soft-pie comickers and chin-whiskered by-Hectors; such necessary by-products as rarely beautiful he-juveniles with plush eyelashes and the hair combed slickly back off the forehead in the approved Hudson seal effect--splendid, manly youths these, who might have dodged a draft or two but never yet had flinched from before the camera's aiming muzzle. But even though it had to be conceded that Goldilockses and Prince Charmings endure and that while drolls and jesters may come and go, pies are permanent and stale not, neither do they wither; still, and with all that, such like as these were, in the Lobel scheme of things, merely so many side lines and incidentals and by-products devised and designed to fatten out a program.
Where Mr. Lobel excelled was in the vamp stuff. Even his competitors admitted it the while they vainly strove to rival him. In this, his own chosen realm of exploration and conquest he stood supremely alone; a monarch anointed with the holy oils of superiority, coroneted with success's glittering diadem. Look at his Woman of a Million Sins! Look at his Satan's Stepchild, or How Human Souls are Dragged Down to Hell, in six reels! Look at A Daughter of Darkness! Look at The Wrecker of Lives! Look at The Spider Lady, or The Net Where Men Were the Flies! Look at Fair of Face Yet Black of Heart! All of them his, all box-office best bets and all still going strong!