It was a mistake; Abel had thought it a mistake all along. With another man it might not have mattered; but Sutton, thrown into the society of rich young men, who had no sympathy with his ideas, and who ridiculed his ways, had not been able to withstand their influence. And just when he was on the point of ordination, he had thrown it all over; said he no longer believed in Methodism, or wished to be a minister. He had stayed for another year in Oxford, studying, or pretending to study, history; but he could not have worked very seriously; the examiners said, indeed, that his papers were full of the most absurd ideas. And now he refused to go back to America at all. Abel didn't know who it was who had tried to pervert him; it was reported to be the Jesuits--and there was a man called Gerard, Sir Philip Gerard--; but at any rate they ought to know what trouble they had made.

Foley said he was certain there had been no deliberate attempt to pervert Sutton. If any of his friends had tried to influence him, it was probably because they believed in culture, and thought it would help him in his work.

The Youth of Parnassus and Other Stories — Part 21

"Help him to be a minister out in Indiana! How could the ideas of a narrow university set and its expensive tastes help a man for that?"

The Youth of Parnassus and Other Stories — Part 21

"But everyone surely was the better for being cultivated!" Foley exclaimed.

The Youth of Parnassus and Other Stories — Part 21

Even to this Abel could not agree entirely; he admitted that of course culture had its charm and value; only in cases it might be dangerous, he thought. But how could that be? Foley asked, and for a moment, in their discussion of the larger question, they almost forgot Sutton. Abel thought that an undue cultivation of taste, of the sense of beauty, without an equal training of the reason, would make you into a narrow and fastidious person, judging things by the eyes and ears, and caring only for what was well-expressed and beautiful. And surely for the most part, he said, (and he seemed anxious to be fair and moderate,) for the most part it was the ideals of the past, the out-worn, romantic, and old-fashioned things, that had had time to be well-expressed, while the modern--"But all this has very little to do with Sutton!" he said, stopping suddenly.

"Oh, I don't know, isn't he the kind of person you mean--a sensitive poetic person--"