Carantoni took up one of the terriers in his hands, and looked at it.
"So you killed my dogs, did you, you brute?" he muttered. "I will kill you."
He unconsciously used Batiscombe's own words. His face was yellow, and his eyes bloodshot. He dropped the dead beast into the basket.
"Bury them," he said aloud, and turned on his heel, going into the house.
He had accomplished a great deal in a few hours. He had ascertained that they had fled by sea; that Julius had a bank account in Rome with a banker whose address he had got; that Julius had sent his box to Turin, where he would most likely be ultimately heard of. More than that he could not know for the present. It was four o'clock in the afternoon. He could still catch the train to Rome. He could do nothing more in Sorrento, and he could no more remain inactive for one moment than he could give up the whole pursuit. While his things were being hastily packed he thought of Diana. It was the first time, since the morning, that he had realised that he was not absolutely alone in the world. He sat down and wrote a telegram, intending to send it from the station. It was brief and to the point.
"She has left me. Can you meet me anywhere? Answer to Rome."
There are doubtless people in the world who take a morbid and unwholesome delight in the contemplation of sorrow. They can amuse themselves for many hours in studying the effect of grief upon their friends,--and they can even find a curious diversion in their own troubles, so long as they can keep them far enough away to secure their bodily comfort. They have neither the strength to sin, the honesty to be good, nor the common sense to be happy. And so they feebly paddle in their shallow puddles of woe, neither dry nor wet, and very muddy, when they might just as well sit on the clean, hard ground and enjoy the cleanliness and solidity of it, if they can enjoy nothing else. But they will not. They will lie in the mud, and kick and scream and swear that they are shipwrecked, when they are a hundred miles from the sea, and would take to their heels on the first sight of it.
One of the favourite hobbies of these individuals is a mysterious thing they call a "sweet sadness." Their ideas about sorrow are not even artistic. They might at least understand that even the intensest grief, apart from its causes, has no grandeur. The contemplation of sorrow is not elevating unless it breeds a strong desire to alleviate it; nor is the study of vice and crime in the least edifying unless it exhibits the nobility and power of purity in a highly practical light. No vicious criminal was ever reformed by realistic pictures of wickedness, any more than he can be improved by daily association with other vicious criminals. And a very little realism will throw a great ideal into the shade, as far as most people are concerned.