Then Bernard opened his eyes and the vision had disappeared. He was overcome with joy. His resolution was taken. Though he knew no way out of the castle, nor from the bedroom in the tower, in which he had been locked by his thoughtful father, yet he was ready to go.
Taking up a pen, he wrote to his father this letter:
"Very dear parents, rejoice with me that the Lord calls me to His service. I follow Him to arrive sooner at the port of salvation, the sole object of my vows. Do not worry about me, nor take the trouble to seek me. I renounce the marriage, which was ever against my will. I renounce all that concerns the world. All my desires turn toward heaven, whither I would arrive. I take the road this minute.
Laying the letter on the table, he soon found himself on the way outside the castle grounds, and along this path he hurried, over the mountain passes, toward the city of Aosta. So say the oldest manuscripts; but in the later stories the details are more fully described. From these it would appear that Bernard leaped from the window eighteen or twenty feet, his naked feet striking on a bare rock. On he ran through the night; on over dark and lonely paths in a country still uninhabited; over the stony fields and wild watercourses of the Graian Alps, and when the morning dawned he found himself in the city of Aosta, a hundred miles from Annécy.
In an old painting the manner of his escape is shown in detail. As he drops from the window he is supported by Saint Nicholas on the one side, and an angel on the other, and underneath the painting is the legend "_Emporté par Miracle_." It is said, too, that in former times the prints of his hands on the stone window-sill, and of his naked feet on the rock below, were both plainly visible. Eight hundred years later the good Father Pièrre Verre celebrated mass in the old room in which Bernard was confined; and he reports at that time there was both on the window-sill and on the rock below only the merest trace of the imprints left by Bernard. One could not then "even be sure that they were made by hand or foot." But the chronicle wisely says: "Time, in effacing these marks and rendering them doubtful, has never effaced the tradition of the fact among the people of Annécy."