My Brilliant Career is a 1979 Australian period drama film directed by Gillian Armstrong, and starring Judy Davis, Sam Neill, and Wendy Hughes. Based on the 1901 novel of the same name by Miles Franklin, it follows a young woman in rural, late-19th-century Australia whose aspirations to become a writer are impeded first by her social circumstance, and later by a budding romance.
Filmed in the Monaro region, New South Wales in 1978, My Brilliant Career was released in Australia in August 1979, and later premiered in the United States at the New York Film Festival. It received significant critical acclaim, and was nominated for numerous AACTA Awards, winning three, while Davis won the BAFTA Award for Best Actress in a Leading Role. In the United States, it received nominations for the Academy Award for Best Costume Design, and the Golden Globe Award for Best Foreign Film.
Contemporarily, the film is regarded as being part of the Australian New Wave of cinema. In 2018, it underwent restoration by the Australian National Sound and Film Archive, and was issued on Blu-ray and DVD by the Criterion Collection the following year.
Plot
In 1897 in rural Australia, Sybylla, a headstrong, free-spirited young woman, dreams of a better life to the detriment of helping run her family's country farm. Considered a larrikin by her family, Sybylla dreams of having a career in writing or the performing arts. Her parents, upset by her notions of grandeur and believing her to be stalling her life, inform Sybylla that they can no longer afford to keep her in the household. They send her to board with her wealthy maternal grandmother in hopes of teaching her socially accepted manners and behaviour.
Upon arriving, Sybylla swiftly feels out of place in her new environs. She is soon courted by two local men, jackaroo Frank Hawdon, whom she ignores, and well-to-do childhood friend Harry Beecham, of whom she grows increasingly fond. Sybylla is sent to spend time at the Beecham estate, and her feelings increase toward Harry. She returns to her grandmother's home when Harry is sent on a tour of their properties, with everyone on both estates coyly approving of their romance. Sybylla's Aunt Helen warns her against Harry's courtship, and advises that Sybylla marry for friendship rather than love.
Frank attempts to derail Harry and Sybylla's budding relationship by sparking rumours, which leads to increasing tensions between the two. Harry and Sybylla take turns attempting to make the other jealous at a ball, leading to Harry's surprise proposal. Sybylla gruffly rejects him, to everyone's surprise. Harry later reveals his rush was to protect Sybylla from his potential financial collapse. Sybylla counters by asking Harry to wait while she discovers herself, and asks him to delay his proposal for two years.
Sybylla is summoned by her grandmother, and is told she must take a job as governess and housekeeper to the indigent family of an illiterate neighbour to whom her father owes money. Working in squalor, she manages to teach the children to read using the newspapers and book pages wallpapering their home. To her delight, Sybylla is eventually sent home when the parents become incorrectly convinced that she is wooing their eldest son. Harry visits and proposes again, but Sybylla again rejects him, stating her intent to become a writer; she tenderly explains that a marriage between the two would be emotionally damaging.
Returning to her family's farm, Sybylla completes a manuscript of her first novel, My Brilliant Career, which she hopefully mails off to a Scottish publishing house.
Cast
Production
Development
Margaret Fink had purchased the rights to Miles Franklin's novel of the same name, and the Australian Film Development Corporation suggested she hire a writer to adapt it and Fink selected Eleanor Witcombe. Gillian Armstrong met Fink while working as an assistant art director on the latter's The Removalists (1975) and Fink was impressed with her short film "A Hundred a Day". She subsequently hired Armstrong to direct. Greater Union invested $200,000 in the project, the NSW Film Corporation invested $450,000 with the balance coming from private investors.