The banderilleros retire: they have weakened the bull so that there is now no danger for the puny little two-legged creature who struts in next with a sword, and who is greeted with plaudits and triumphal music. Flowers are thrown him, bouquets, the men call him hero, the women throw kisses to him.

He bows to the President, then turns towards the bull who stands erect still, though the loss of blood must be telling upon him, stands with that same air of deadly _ennui_, of weary scorn of all this folly which he has possessed from the first. Dusty and blood-stained his glossy coat, bloodshot his great lustrous eyes. As he looks round the circle already growing dim to them, does he long for his green Andalusian pastures, does he see again those pleasant streams by which his herd is wandering?

Five Nights — Part 145

The little manikin sidles up and jabs him behind the shoulder with his sword. The bull turns upon him, and he runs for his life. But the bull does not deign to follow. With a great show of precaution where there is really no danger, the little man with the sword approaches again. Amidst cheers from the onlookers he plunges his sword between the shoulders of the dying monarch and then rushes backwards. The great beast sways, shivers in mortal anguish for a moment, and then without a sound sinks, for the first time in this cruel and unequal combat, to his knees. Sinks, full of a superb dignity to the end, and one asks oneself--"What _can_ the scheme of creation be that gives a creature so clean-souled, so grand, into the power of such a miserable mass of vile lusts as man?"

Five Nights — Part 145

A moment more and the head crowned with its tapering crescent horns sinks forwards. A gush of blood from the nostrils on the sand, and it is over. The glossy form is still--at peace.

Five Nights — Part 145

With ridiculous manoeuvres the little man comes up again to the great beast, obviously dead and harmless, and withdraws his sword which he waves triumphantly before the applauding populace.

While he capers about before his delighted admirers, the attendants come in and draw away with some difficulty the magnificent form of the slaughtered bull.

The music broke into a loud march. There was an interval of relaxation for the audience, to move, look about, chatter, and take refreshments.