She was sitting in this room,--sitting near the open window, in a high-backed chair of carved and polished oak, with her head resting against the angle of the embayed window, and her handsome profile thrown into sharp relief by the dark green-cloth curtain, which hung in straight folds from the low ceiling to the ground, and made a sombre background to the widow's figure. Mrs. Marchmont had put away all the miserable gew-gaws and vanities which she had ordered from London in a sudden excess of folly or caprice, and had reassumed her mourning-robes of lustreless black. She had a book in her hand,--some new and popular fiction, which all Lincolnshire was eager to read; but although her eyes were fixed upon the pages before her, and her hand mechanically turned over leaf after leaf at regular intervals of time, the fashionable romance was only a weary repetition of phrases, a dull current of words, always intermingled with the images of Edward Arundel and Mary Marchmont, which arose out of every page to mock the hopeless reader.

Olivia flung the book away from her at last, with a smothered cry of rage.

John Marchmont's Legacy, Volume II (of 3) — Part 21

"Is there no cure for this disease?" she muttered. "Is there no relief except madness or death?"

John Marchmont's Legacy, Volume II (of 3) — Part 21

But in the infidelity which had arisen out of her despair this woman had grown to doubt if either death or madness could bring her oblivion of her anguish. She doubted the quiet of the grave; and half-believed that the torture of jealous rage and slighted love might mingle even with that silent rest, haunting her in her coffin, shutting her out of heaven, and following her into a darker world, there to be her torment everlastingly. There were times when she thought madness must mean forgetfulness; but there were other moments when she shuddered, horror-stricken, at the thought that, in the wandering brain of a mad woman, the image of that grief which had caused the shipwreck of her senses might still hold its place, distorted and exaggerated,--a gigantic unreality, ten thousand times more terrible than the truth. Remembering the dreams which disturbed her broken sleep,--those dreams which, in their feverish horror, were little better than intervals of delirium,--it is scarcely strange if Olivia Marchmont thought thus.

John Marchmont's Legacy, Volume II (of 3) — Part 21