My Lady Bunbutter had, by reason of her superior bulk and wealth, successfully repelled all rival claimants to the throne of dowagership. She reigned supreme; moreover her advice on this gusty forenoon was particularly valuable, inasmuch as she had just shaken off the waters of Bath on account of the publication there of some odious verses, in which her name and her person were treated with intolerably small respect. Therefore it was not surprizing to find her drawing-room the haunt of innumerable widows, old maids and long-established wives. There they sat, supplying asterisks with immense volubleness. As it happened, they had just tittered behind their fans over the odiously vulgar, but undeniably appropriate--yes! the odious fellow was certainly witty--when the subject of their malicious laughter and false blushes entered the room.
With the tact bred of many a Quadrille party, my lady Bunbutter advanced to meet Mrs. Courteen, murmuring, 'poor dear little Miss Kitcat, so spiteful and yet, my dear Mrs. Courteen, since we are all friends, alas! how true!'
Now young Miss Kitcat was still young Miss Kitcat, and simply would not become old maid or dowager, and would allow herself to be ogled by that notorious rake and disreputable--yes! disreputable, card-sharper, Captain Mann.
While the dowagers discussed the situation and vowed that the rogue of an author sadly needed a lesson, Beau Ripple himself, with many an urbane tut-tut was reading _Curtain Polls_ in his tall white drawing-room, where the firelight danced and flickered over the gleaming ivory panels.
"Too bad," said the Beau to himself as he turned the scandalous pages. He did not, however, treat them less carefully because they were scandalous, for to Mr. Ripple a book was always a book, and he paid as much ceremony to the emanations of Grub Street as he would have shown to the copper plates of an elephant folio.
"This is, indeed, too bad," said the Beau, "and yet the rascal has wit. Oh, yes, he certainly has wit, but what an excellent example this volume affords of the superiority of prose over verse. A poetick satirist too often sacrifices his good breeding for the sake of the rhymes. Now I should never have said that. No, no, that is too bad, and this--good G----! this is unpardonable!"