The New York Biltmore Hotel was a luxury hotel at 335 Madison Avenue in Midtown Manhattan, New York City. The hotel was developed by the New York Central Railroad and the New York, New Haven and Hartford Railroad and operated from 1913 to 1981. It was one of several large hotels developed around Grand Central Terminal as part of Terminal City. The Biltmore was designed in the Italian Renaissance Revival style by Warren and Wetmore, one of the firms involved in designing Grand Central. Although the hotel's steel frame still exists, the hotel itself was almost entirely demolished and replaced by an office building in the early 1980s.
The hotel building was variously cited as having between 23 and 26 stories. The hotel had a facade of granite, limestone, brick, and terracotta. Most of its floor plan was U-shaped, with a light court facing west toward Madison Avenue. In the basement was a reception room that led directly from Grand Central Terminal. The public dining rooms, including the Palm Court and main dining room, were at ground level. There was a roof garden above the sixth story, facing east toward Vanderbilt Avenue. There were additional ballrooms and meeting spaces on the upper stories. In total, the Biltmore had 1,000 rooms and suites; the fourth floor included a private entertainment suite called the Presidential Suite.
Following the construction of Grand Central Terminal, the New York Central started planning a hotel on the city block in the early 1910s, and it officially opened on December 31, 1913. The hotel was originally operated by Gustav Baumann, who died in October 1914. The hotel's manager, John McEntee Bowman, then operated it until his own death in 1931, affiliating the Biltmore with the Bowman-Biltmore Hotels chain. Realty Hotels Inc., a subsidiary of the New York Central, took over the hotel in 1934 and operated it for four decades. Paul Milstein acquired the hotel in 1978 and began demolishing the interiors immediately after the hotel closed on August 15, 1981. Despite protests from preservationists, Milstein gutted the Biltmore and converted it into an office building called Bank of America Plaza, which reopened in May 1984. Bank of America relocated in 2010 and the building became 335 Madison Avenue. Following another renovation in 2019, the structure became The Company Building, which in turn was renamed 22 Vanderbilt in late 2022.
Architecture
The Biltmore Hotel was designed by the architectural firm of Warren and Wetmore, which also helped design the adjoining Grand Central Terminal, in the Italian Renaissance Revival style. The building had either 23, 25, or 26 above-ground stories. In addition, the hotel had two basement levels, although the site extended five stories underground. According to plans filed by Warren and Wetmore, the hotel building was tall. About of structural steel were used in the hotel's construction, along with 5,000 barrels of Portland cement.
The Biltmore occupied the entire city block bounded by Madison Avenue to the west, 44th Street to the north, Vanderbilt Avenue to the east, and 43rd Street to the south, measuring . The hotel replaced a four-story post office and ticket office operated by the New York Central Railroad, which was demolished at the beginning of 1912.
Form and facade
The hotel had a facade of granite, limestone, brick, and terracotta. Although the hotel's main entrance was on 43rd Street, it also had two entrances on Vanderbilt Avenue, which led to different corridors for men and women. The hotel's lowest four stories occupied the entire site. Above the fourth story, the hotel was shaped like a "U", with a light court on Madison Avenue surrounded by hotel rooms to the north, east, and south. The base was primarily clad in granite. The stories above the base were primarily clad in brick and limestone. The stories directly above the base contained a limestone facade, while the main shaft of the building consisted of a brick facade. The facade used approximately four million pieces of common brick and two million pieces of gray brick.
The building contained of gray architectural terracotta, which one contemporary trade journal described as being one of the largest such terracotta contracts at the time. Above the 21st story, the crown was clad entirely with terracotta and was designed in the Federal style. On all four primary elevations of the facade, there were pilasters and fluted columns extending from the 21st to 23rd stories. Above these columns and pilasters was an arched frieze with ornate spandrel panels.