Germany, fresh in unity, and still quivering with the long-forgotten delight of conquest, was also, as an Empire, anti-Catholic, and the Kultur Kampf, which was really a religious struggle, was at its height. Germany's religions are official at the one extreme and popular at the other; but there is no intermediate religion to speak of--and what we should call cultured people, scientific men, the professorial class, are largely atheistic.
For some time after the proclamation of the Empire, Germany meant Prussia to the rest of the world--Prussia officially evangelical, privately sceptical, the rigid backbone of the whole German military mammoth. The fact that about one-third of the population of the Empire is Catholic was overlooked by Prussia and forgotten by Europe.
France--Catholic in the provinces--was Paris just then--republican Paris. And all French Republics have been anti-Catholic, as all French monarchies have been the natural allies of the Vatican, as institutions, though individual Kings, like Francis the First, have opposed the Popes from time to time. France, in 1878, was recovering with astonishing vitality from her defeat, but the new growth was unlike the old. The definite destruction of the old France had taken place in 1870; and the new France bore little resemblance to the old. It was, as it is now, Catholic, but anti-papal.
The smaller northern powers, Scandinavia and Holland, were anti-Catholic of course. Russia has always been the natural enemy of the Catholic Church. Of the remaining European nations, only Austria could be said to have any political importance, and even she was terrorized by the new German Empire.
Italy had been the scene of one of those quick comedies of national self-transformation which start trains of consequences rather than produce immediately great results. One may call it a comedy, not in a depreciating sense, but because the piece was played out to a successful issue with little bloodshed and small hindrance. It had been laid down as a principle by the playwrights that the Vatican was the natural enemy of Italian unity; and the playwrights and principal actors, Cavour, Garibaldi and others, were all atheists. The new Italy of their creation was, therefore, an anti-Catholic power, while the whole Italian people, below the artificial scientific level, were, as they are now, profoundly, and even superstitiously, religious. That was the state of the European world when Leo the Thirteenth was elected.