Reasons have already been given in No. 35 for the theory that it was Gulveig-Heid who betrayed Freyja and delivered her into the hands of the giants. When Saxo says that this treachery was committed by a woman, but also suggests the possibility that it was a man in the guise of a woman, then this too is explained by the mythology, in which Gulveig-Heid, like her fellow culprit, has an androgynous nature. Loke becomes "the possessor of the evil woman" (_kvidugr af konu illri_). In Fjölsvinnsmal we meet again with Gulveig-Heid, born again and called Aurboda, as one of Freyja's attendants, into whose graces she is nestled for a second time.

[4] In Saxo, as in other sources of about the same time, aspirated names do not usually occur with aspiration. I have already referred to the examples Handuuanus, Andvani, Helias, Elias, Hersbernus, Esbjörn, Hevindus, Eyvindr, Horvendillus, Orvandill, Hestia, Estland, Holandia, Oland.

Teutonic Mythology, Vol. 3 (of 3) — Part 41

From the parallel name Otharus, we must turn to the other parallel name Hotherus. It has already been shown that if the Svipdag synonym _Odr_ occurs in Saxo, it must have been Latinised into Otherus or Hotherus. The latter form is actually found, but under circumstances making an elaborate investigation necessary, for in what Saxo narrates concerning this Hotherus, he has to the best of his ability united sketches and episodes of two different mythic persons, and it is therefore necessary to separate these different elements borrowed from different sources. One of these mythic persons is _Hödr_ the Asa-god, and the other is _Odr_-Svipdag. The investigation will therefore at the same time contain a contribution to the researches concerning the original records of the myth of Balder.

Teutonic Mythology, Vol. 3 (of 3) — Part 41

Saxo's account of Hotherus (_Hist._, 110, &c.), is as follows:

Teutonic Mythology, Vol. 3 (of 3) — Part 41

Hotherus, son of Hothbrodus (Hödbrodd), was fostered in the home of Nanna's father, King Gevarus (Gevarr; see Nos. 90-92), and he grew up to be a stately youth, distinguished as a man of accomplishments among the contemporaries of his age. He could swim, was an excellent archer and boxer, and his skill on various musical instruments was so great that he had the human passions under his control, and could produce, at pleasure, gladness, sorrow, sympathy, or hate. Nanna, the daughter of Gevarus, fell in love with the highly gifted youth and he with her.