ANDR. No. I can't take any favour from you.

MICH. It's no favour. I've trained you to a special work which has unfitted you for everything else. It is my duty to provide for your old age.

Michael and His Lost Angel — Part 43

MICH. Old comrade (_leaning on ANDREW'S shoulder; ANDREW draws away_), old comrade (_draws ANDREW to him_), we had many happy days together in the summer of our life. Now the autumn has come, now the winter is coming, I'm setting out on a cold, dark journey. Won't you light a little flame in our old lamp of friendship to cheer me on my way? You'll take my gift--you'll take it, and make a home for her?

Michael and His Lost Angel — Part 43

ANDR. (_bursts out_). You'll break my heart with your kindness! I don't deserve it! I was a half-bred, starving dog. You took me in, and, like the hound I am, I turned and bit the hand that fed me. Let me be! Let me be!

Michael and His Lost Angel — Part 43

ROSE. Father, you are grieving Mr. Feversham.

ANDR. I'll do whatever you tell me. But don't forgive me.

MICH. Take him home, Rose. I parted you. Let me think I have restored you to each other.

ANDR. (_to MICHAEL_). I can't say anything to-night. I never was good enough to black your shoes. I can't thank you. I can't speak. Good-night. Come, Rose!

(_MICHAEL shakes ROSE'S hand very tenderly. Exeunt ROSE and ANDREW by transept. MICHAEL watches them off, goes to altar._)

MICH. (_alone_). One thing more and all is done. (_Looking round the church._) And I must give you up! Never enter your doors, never lead my people through you in chariots of fire, never make you the very presence-chamber of God to my soul and their souls who were committed to me! Oh, if I had been worthy!

(_A little pause. A woman's laugh is heard in the transept opposite to that by which ANDREW and ROSE have gone off. MICHAEL withdraws to the side of chancel, where he is seen by the audience, during the following scene, but is hidden from AUDRIE and MRS. CANTELO._)

_AUDRIE enters from transept in magnificent evening dress, cloak, and jewellery, and carrying a large basket of roses. Her features are much paler and sharpened, and she shows a constant restlessness and excitement._

AUDR. (_looks round, calls out_). Somebody is here? (_Pause, calls out._) Somebody is here? No? (_Speaks down transept._) You may come in, Milly.