Joanna, embracing her dead child, was still sobbing when Tiburcio entered the chamber. He stopped before the little bed, and looked down. Of a sudden the woman shook, arose with a start, seized her husband's arm, her eyes distended and her mouth wide open, her head bending over as if to hear voices, faraway sounds.

"What is it, Joanna? What is the matter with you?"

Brazilian Tales — Part 49

In terror she stammered reply. "The pigeons, dear husband. Don't you hear them?"

Brazilian Tales — Part 49

It was their sad cooing that came from the roof of the house. "They are returning! Who knows? He is yet warm!" she cried.

Brazilian Tales — Part 49

And in the heart of the woman arose a great hope.

"Now it's their turn to mourn!" he answered. "They are sobbing, like us. It's a pair that remained behind because of the little ones. I dashed the pigeon-house to earth, I have killed the fledglings. See!"

"They flew away; they're on the house. Do you want to see?"

He went out; she followed. They walked to the terrace. Tiburcio pointed to the ruined pigeon-house. Then he grasped the crushed bodies of the little birds. "Look!"

Without breathing a word Joanna looked on. In her horror she had stopped weeping. She gazed upon her husband, whose burning eyes flashed fire. He threw the first little pigeon upon the roof bellowing, "'T is well!"

The pigeons, frightened, flew off into the dark foliage.

Joanna, dumb, terrified, could not remove her eyes from her husband, who was now crying with sobs, his opened hands stained with blood.

"Come, dear husband. It was the will of God. Our little son is in heaven!" And slowly she heartened him. They entered their cabin and, before the pallet of the dead child, the tears gushed from their eyes, while, on the roof above, the pigeons, who had returned, were cooing dolorously.

(Emilia Moncorva Bandeira de Mello, 1852-1910)

Pale and thin, for eighteen years she had lived with her youngest sister, who had married very early and now possessed five children: two young ladies of marriageable age, a third still in short dresses, and two little boys.

Maria-José, whose nickname was Zézé, had never been beautiful or winning. Upon her father's death it was thought best that she should go to live with her sister Engracigna's family. Here she led a monotonous existence, helping to bring up her nephews and nieces, who were born in that young and happy household with a regularity that brooked small intervals between the births.