It is the gathering of the less important news of the day, however, where reporting has deteriorated, and yellow journalism is largely responsible for this. Yellow journalism is a matter of typography and theatrics. The most sensational, and often the most unimportant, news is featured with big type, colored inks, diagrams, and illustrations. "A laugh or tear in every line" is the motto above the desk of the copy editor. The dotted line showing the route taken by the beautiful housemaid as she falls out of the tenth-story window to the street below adds a thrill of the yellow "write up." The two prime requisites for an ideal yellow newspaper, as that prince of yellow editors, Arthur Brisbane, once told me, are sport for the men and love for the women; and as the Hearst papers have secured their great circulation by putting in practice this discovery, we find the other papers are consciously or unconsciously copying them. A typographical revolution has thus been brought about, as well as a general deterioration of reporting. Even in papers of the highest character an over-indulgence in headlines is coming into vogue, while the reporter is allowed too often to treat the unimportant and most personal events in a picturesque or facetious way without regard to truthfulness. On a lecture trip West last winter, a reporter of one of the most respectable and influential papers in the country asked if I was going to attack anybody in my speech, or say anything that would "stir up the mud." When I said I hoped not, he replied that it would not be necessary for him to attend the lecture. "Just give me the title, and the first and last sentences," said he, "and I'll write up an account of it at my desk in the office."

Sometimes, by this method of reporting, a serious injury is done to the individual. A reporter on the New York "Times" wrote up last winter a sensational account of the marriage of the head worker of the University Settlement on the East Side to a young leader of one of the girls' classes. The marriage was performed by one of the officers of the Society of Ethical Culture, who are expressly authorized by the New York legislature to officiate on such occasions. And yet the reporter called the marriage an "ethical" one, putting the word "ethical" in quotation marks and also the word "Mrs.," to which the bride was morally and legally entitled, implying that the marriage was irregular, and indicated a tendency towards free love. Though many letters of protest were written to the "Times" about this, the "Times" made no editorial apology for a breach of journalistic ethics, which should have cost the reporter who wrote the article and probably the managing editor who passed it their positions.

Commercialism and Journalism — Part 24