Kiyan Williams is an American visual artist who works across a range of media, including sculpture, performance, and installation. By revisiting public sculpture and national symbols, Williams creates artworks that subvert dominant narratives of history, power, and American identity. Williams lives and works in Brooklyn, New York.
Education
Kiyan Williams earned a BA with Honors from Stanford University and a MFA in Visual Arts from Columbia University.
Artistic practice
Kiyan Williams is a multidisciplinary artist whose practice encompasses performance, sculpture, installation and media art, through which they subvert national symbols and traditional monumentality. The artist adopts everyday materials and unconventional methods to uproot the hegemonic narratives of domination that monuments typically celebrate. Embracing fragments and fissures, Williams’ works recall ancient ruins or relics in a state of decay that also hold capacities for resilience. By making, unmaking, and remaking, the artist creates embodied works that both fill historical gaps and question power dynamics. Soil, in particular, is a recurring material and metaphor that Williams uses to delve into American history and identity, thus unearthing the historical and ongoing forces that have shaped, and tightly tied together, bodies and land.
Exhibitions
Kiyan Williams' work has been presented in numerous museums and galleries, in the United States and worldwide, including notable exhibitions at Peres Projects, Milan, the MIT List Visual Arts Center, Cambridge, the Brooklyn Museum, New York, David Kordansky Gallery, Los Angeles, the Hirshhorn Museum, Washington, D.C., Socrates Sculpture Park, New York, and SculptureCenter, New York. In 2022, they presented a monumental sculpture in Brooklyn Bridge Park, commissioned by Public Art Fund.
Solo exhibitions
A Past That Is Future Tense, Peres Projects, Milan, 2023
A Crack Beneath the Weight of it All, Altman Siegel, San Francisco, 2023
Hammer Projects: Kiyan Williams, Hammer Museum, Los Angeles, 2022
Un/earthing, Lyles and King, New York, 2022
Reaching Towards Warmer Suns, The Anderson Collection, Stanford University, Palo Alto, 2021 something else (Variations on Americana), Recess Art, New York, 2020
Selected group exhibitions
Full and Pure: Body, Materiality, Gender, Green Family Art Foundation, Dallas, 2023 Put It This Way: (Re)Visions of the Hirshhorn Collection, Hirshhorn Museum, Washington D.C., 2023 Symbionts: Contemporary Artists and the Biosphere, MIT List Visual Arts Center, Cambridge, 2022 Indisposable: Tactics for Care and Mourning, Ford Foundation Gallery, New York, 2022 Black Atlantic, commissioned by Public Art Fund, Brooklyn Bridge Park, New York, 2022 52 Artists: A Feminist Milestone, curated by Amy Smith-Stewart, The Aldrich Contemporary Art Museum, Ridgefield, 2022 How to Cook a Wolf, Center for Book Arts, New York, 2021 Land Akin, Smack Mellon, New York, 2021 Listening to the Unsaid, David Kordansky Gallery, Los Angeles, 2020 In the Beginning: Media Art and History from the Hirshhorn’s Collection, Hirshhorn Museum, Washington D.C, 2020 MONUMENTS NOW: Call and Response, Socrates Sculpture Park, New York, US Nobody Promised You Tomorrow: Art 50 Years After Stonewall, Brooklyn Museum, New York, 2019 In Practice: Other Objects, SculptureCenter, New York, 2019
Selected grants and residencies
Williams is the recipient of the Jerome Hill Artist Fellowship, Graham Foundation Grant, Franklin Furnace Fund, and Fountainhead Fellowship in Sculpture and Extended Media at Virginia Commonwealth University. Williams has been awarded residencies at Smack Mellon and BTFA.