Before we have quite done with alphabets, we ought to speak of another system of ancient writing, the cuneiform; which, though it has left no trace of itself on modern alphabets, is the vehicle which preserves some of the most interesting and ancient records in the world. The cuneiform or arrow-shaped character used by the ancient Chaldeans, Assyrians, Babylonians, and Persians, is supposed to owe its peculiar form to the material on which it was habitually graven by those who employed it. It arose in a country where the temples were built of unburned brick instead of stone, and the wedge-shaped form of the lines composing the letters is precisely what would be most easily produced on wet clay by the insertion and rapid withdrawal of a blunt-pointed stick or reed. Like all other systems, it began in rude pictures, which gradually came to have a phonetic value, in the same manner as did the Egyptian hieroglyphics. The earliest records in this character are graven on the unburned bricks of pyramidal-shaped temples, which a little before the time of Abraham began to be built by a nation composed of mixed Shemite, Cushite, and Scythian (_i.e._ Turanian) peoples round the shores of the Persian Gulf. The invention of the character is ascribed in the records to the Turanian race, the Accadians, who are always designated by the sign of a wedge, which was equivalent to calling them the writers, or the literary people. The Accadians discovered this writing; but it was taken up and wrought to much greater perfection by their successors, the Shemites. In their hands it became the vehicle in which the history of the two great empires of Babylon and Nineveh, and the achievements of ancient Persian kings, have come down to us. For when Nineveh fell before the Persians, they adopted the cuneiform writing of the Assyrians.
We have all seen and wondered at the minute writing on the Assyrian marbles and tablets in the British Museum, and stood in awe before the human-headed monster gods--
‘Their flanks with dark runes fretted o’er,’
whose fate, in surviving the ruin of so many empires, and being brought from so far to enlighten us on the history of past ages, can never cease to astonish us. When we look at them again, let us spare a thought to the history of the character itself. Its mysteries have cost even greater labour to unravel than hieroglyphics themselves. To the latest times of the use of cuneiform by the Achæmenidæ, pictorial, symbolic, and phonetic groups continued to be mixed together, and a system of determinative signs was employed to show the reader in what sense each word was to be taken. But this system of writing never reached the perfection attained by the Egyptian hieroglyphs. It never advanced to the use of what may be called true letters, never beyond the use of syllabic signs. So that in time it was superseded by alphabets descended from the Egyptian. The symbolism, too, of the cuneiform writing is very complex, and the difficulty of reading the signs used phonetically is greatly increased by the fact of the language from which they acquired their values (a Turanian one) being different from the Semitic tongue, in which the most important records are written.