Now we come to the picturesque and the beautiful, subjects fit for the camera of the photographer, the pencil of the artist, and the pen of the historian. On the western side of the Hudson, above Hoboken, we catch the first glimpse of that singular and picturesque natural river wall called the "Palisades," a series of bold and lofty escarpments, extending for about thirty-five miles up the river, and varying in an almost perpendicular height from four to over six hundred feet, portions of them presenting a very similar appearance to Honister Craig, facing the Vale of Buttermere and Salisbury Craigs, near Edinburgh.

About two and a half miles above Manhattan Island, on the east bank of the Hudson, I noticed a castellated building of considerable pretensions, but somewhat resembling one of those stage scenes of Dunsinane in _Macbeth_, or the Castle of Ravenswood in the _Bride of Lammermoor_. On enquiring to whom this fortified-looking residence belonged, I was told it was Fort Hill, the retreat of Edwin Forest, the celebrated American tragedian. It is built of blue granite, and must have been a costly fancy.

The Evolution of Photography — Part 112

Now we come to the pretty village of Yonkers, where there are plenty of subjects for the camera, on Sawmill River, and the hills behind the village. Here, off Yonkers, in 1609, Henry Hudson came to the premature conclusion, from the strong tidal current, that he had discovered the north-west passage, which was the primary object of his voyage, and which led to the discovery of the river which now bears his name.

The Evolution of Photography — Part 112

At Dobb's Ferry there is not much to our liking; but passing that, and before reaching Tarrytown, we are within the charming atmosphere of Sunnyside, where Washington Irving lived and wrote many of his delightful works. Tarrytown is the next place we make, and here, during the war for independence, the enthusiastic but unfortunate soldier, Major André, was captured; and at Tappan, nearly opposite, he was hung as a spy on the 2nd of October, 1780.

The Evolution of Photography — Part 112

All the world knows the unfortunate connection between Benedict Arnold, the American traitor, and Major André, the frank, gallant, and enterprising British officer; so I shall leave those subjects to the students of history, and pass on as fast as our boat will carry us to the next place of note on the east bank of the river, Sing Sing, which is the New York State prison, where the refractory and not over honest members of State society are sent to be "operated" upon by the salutary treatment of confinement and employment. Some of them are "doing time" in _dark rooms_, which are very unsuitable for photographic operations, and where _a little more light_, no matter how yellow or non-actinic, would be gladly received. The "silent cell" system is not practised so much in this State as in some of the others; but the authorities do their best to _improve the negative_ or refractory character of the _subjects_ placed under their care. It is, however, very questionable whether their efforts are not entirely _negatived_, and the bad character of the subject more _fully developed_ and _intensified_ by contact with the more powerful _reducing agents_ by which they are surrounded. Their prison is, however, very pleasantly situated on the banks of the Hudson, about thirty-three miles above New York City.