All around the bush was dense like a forest, much denser than usual. The slim-girthed trees grew in silent array, all alike and all asleep, with undergrowth of scrub and fern and flowers, banksia short and sturdy with its cone-shaped red-yellow flowers like fairy lamps, and here and there a perfect wattle, or mimosa tree, with its pale gold flowers like little balls of sun-dust, and here and there sandal-wood trees. Jack never forgot the beauty of the first bushes and trees of mimosa, in a damp place in the wild bush. Occasionally there was still an immense karri tree, or a jarrah slightly smaller, though this was not the region for these giants.

And far away, unending, upslope and downslope and rock-face one far unending dimness of these changeless trees, going on and on without variation, open enough to let one see ahead and all around, yet dense enough to form a monotony and a sense of helplessness in the mind, a sense of timelessness. Strongly the gang impressed on Jack that he must not go even for five minutes' walk out of sight of the clearing. The weird silent timelessness of the bush impressed him as nothing else ever did, in its motionless aloofness. "What would my father mean, out here?" he said to himself. And it seemed as if his father and his father's world and his father's gods withered and went to dust at the thought of this bush. And when he saw one of the men on a red sorrel horse galloping like a phantom away through the dim, red-trunked, silent trees, followed by another man on a black horse: and when he heard their far, far-off yelping "Coo-ee!" or a shot as they fired at a dingo or a kangaroo, he felt as if the old world had given him up from the womb, and put him into a new weird grey-blue paradise, where man has to begin all over again. That was his feeling: that the human way of life was all to be begun over again.

The Boy in the Bush — Part 74

The home that he and Tom made for themselves seemed to be a matter of forked sticks. If you wanted an upright of any sort, drive a forked stick into the ground, or dig it in, fork-end up. If you wanted a cross-bar, lay a stick or a pole across two forks. Down the sides of your house you wove brushwood. For the roof you plaited the long, stringy strips of gum-bark. With a couple of axes and a jack-knife they built a house fit for a savage king. Then they went out and made a kitchen, with pegs hammered into the bole of a tree, for the frying pans, the sawn surface of a large stump for a table, and logs to lie back against.

The Boy in the Bush — Part 74