When César and his brother were small children, the father, a man of stern and autocratic nature--a banker, with many friends in the artistic and musical world--decided to make both his sons professional musicians.
His will had to be obeyed, there was no help for it. In the case of César, however, a musician was what he most desired to become, so that music study was always a delight.
Before he was quite eleven years old, his father took him on a tour of Belgium. It looked then as though he had started on a virtuoso career, as the wonder children--Mozart, Chopin, Thalberg, Liszt and others who had preceded him, had done. The future proved, however, that César's life work was to be composing, teaching and organ playing, with a quiet life, even in busy Paris, instead of touring the world to make known his gifts.
During this youthful tour of Belgium, he met a child artist, a year or two older than himself, a singer, also touring as a virtuoso. The little girl was called Pauline Garcia, who later became famous as Mme. Pauline Viardot Garcia.
When César was twelve he had learned what they could teach him at the Liège Conservatory, and finished his studies there. His father, ambitious for the musical success of his sons, emigrated with his family to Paris, in 1836. César applied for entrance to the Conservatoire, but it was not until the following year, 1837, that he gained admission, joining Leborne's class in composition, and becoming Zimmermann's pupil in piano playing. At the end of the year the boy won a prize for a fugue he had written. In piano he chose Hummel's Concerto in A minor for his test, and played it off in fine style. When it came to sight reading, he suddenly elected to transpose the piece selected a third below the key in which it was written, which he was able to do at sight, without any hesitation or slip.
Such a feat was unheard of and quite against the time-honored rules of competition. And to think it had been performed by an audacious slip of a boy of fifteen! The aged Director, none other than Maestro Cherubini, was shocked out of the even tenor of his way, and declared that a first prize could not be awarded, although he must have realized the lad deserved it. To make amends, however, he proposed a special award to the audacious young pianist, outside the regular competition, to be known as "The Grand Prize of Honor." This was the first time, and so far as is known, the only time such a prize has been awarded.