In his lifetime Arthur C. Clarke participated in film, television, radio and other media in a number of different ways.
(Note: in media, in this article, does not include his published writings.)
In film
Screenplay author
Clarke is most famously known as co-author, along with Stanley Kubrick, of the screenplay for the film 2001: A Space Odyssey (1968), widely considered to be one of the most influential films of all time.
2001: A Space Odyssey
Clarke's venture into film was the Stanley Kubrick directed 2001: A Space Odyssey. Kubrick and Clarke had met in New York City in 1964 to discuss the possibility of a collaborative film project. As the idea developed, they decided to loosely base the story on Clarke's short story, The Sentinel, written in 1948. Originally, Clarke was going to write the screenplay for the film, but Kubrick suggested during one of their brainstorming meetings that before beginning on the actual script, they should let their imaginations soar free by writing a novel first, on which they would base the film. (See: 2001: A Space Odyssey.) "This is more or less the way it worked out, though toward the end, novel and screenplay were being written simultaneously, with feedback in both directions. Thus I rewrote some sections after seeing the movie rushes—a rather expensive method of literary creation, which few other authors can have enjoyed." The novel ended up being published a few months after the release of the movie.
Due to the hectic schedule of the film's production, Kubrick and Clarke had difficulty collaborating on the book. Clarke completed a draft of the novel at the end of 1964 with the plan to publish in 1965 in advance of the film's release in 1966. After many delays the film was released in the spring of 1968, before the book was completed. The book was credited to Clarke alone. Clarke later complained that this had the effect of making the book into a novelisation, that Kubrick had manipulated circumstances to downplay Clarke's authorship. For these and other reasons, the details of the story differ slightly from the book to the movie. The film contains little explanation for the events taking place. Clarke, on the other hand, wrote thorough explanations of "cause and effect" for the events in the novel. James Randi later recounted that upon seeing the premiere of 2001 for the first time, Clarke left the theatre in tears, at the intermission, after having watched an eleven-minute scene (which did not make it into general release) where an astronaut is doing nothing more than jogging inside the spaceship, which was Kubrick's idea of showing the audience how boring space travels could be.
Clarke shared a 1969 Academy Award nomination with Stanley Kubrick in the category Best Writing, Story and Screenplay – Written Directly for the Screen for 2001: A Space Odyssey.
In 1972, Clarke published The Lost Worlds of 2001, which included his accounts of the production, and alternate versions, of key scenes. The "special edition" of the novel A Space Odyssey (released in 1999) contains an introduction by Clarke in which he documents the events leading to the release of the novel and film.
2010: The Year We Make Contact
In 1982 Clarke continued the 2001 epic with a sequel, 2010: Odyssey Two. This novel was also made into a film, 2010, directed by Peter Hyams for release in 1984. Because of the political environment in America in the 1980s, the film presents a Cold War theme, with the looming tensions of nuclear warfare not featured in the novel. The film was not considered to be as revolutionary or artistic as 2001, but the reviews were still positive.
Clarke's email correspondence with Hyams was published in 1984. Titled The Odyssey File: The Making of 2010, and co-authored with Hyams, it illustrates his fascination with the then-pioneering medium of email and its use for them to communicate on an almost daily basis at the time of planning and production of the film while living on opposite sides of the world. The book also included Clarke's personal list of the best science-fiction films ever made.
Clarke also appeared in the film himself (see below).