filled him with joy; for, indeed, if the Archbishop really wanted a prima donna, he could not have a better one. He is already troubled by the thought "that if people come from Salzburg for the Carnival, and 'Rosamund' is played, poor Mdlle. Weber will perhaps not please, or at least will not be judged of as she deserves, for she has a wretched part--almost a _persona muta_--to sing a few bars between the choruses" (Vol. I., p. 403). "When I am in Salzburg," he continues, "I shall certainly not fail to intercede with all zeal for my dear friend; and in the meantime I earnestly hope you will do your best for her--you cannot give your son any greater pleasure." He begs for permission to take Mannheim on his way home, in order to visit the Webers.
L. Mozart, knowing how deep and well-founded an antipathy Wolfgang had for Salzburg, sought to convince him that he would find himself in a much better position there now than formerly. "Our assured income," he wrote (September 3, 1778), "is what I have written to you, and your mode of life will not come in the way of your studies and any other work. You are not to play the violin at court, but you have full power of direction at the clavier." This was an important point to Wolfgang, and his father recurs to it again (September 24, 1778):--
Formerly you were really nothing but a violinist, and that only as concertmeister; now you are concertmeister and court organist, and your chief duty is to accompany at the clavier. You will not think it any disgrace to play the violin as an _amateur_ in the first symphony, since you will do it in company with the Archbishop himself, and all the court nobility. Herr Haydn is a man whose musical merit you will readily acknowledge--should you stigmatise him as a "court fiddler" because, in his capacity as concertmeister, he plays the viola in the smaller concerts? It is all by way of amusement; and I would lay a wager that, rather than hear your compositions bungled, you would set to yourself with a will."
He consoles him also by reminding him that the concerts at court are short, from seven o'clock to a quarter past eight, and that seldom more than four pieces are performed--a symphony, an aria, a symphony or concerto, and another aria (September 17, 1778). Since the