Me vero primum dulces ante omnia Musae, Quarum sacra fero ingenti perculsus amore, (166) Accipiant; coelique vias et sidera monstrent; Defectus Solis varios, Lunaeque labores: Unde tremor terris: qua vi maria alta tumescant Obicibus ruptis, rursusque in seipsa residant: Quid tantum Oceano properent se tingere soles Hiberni: vel quae tardis mora noctibus obstet. Geor. ii. 1. 591, etc.
But most beloved, ye Muses, at whose fane, Led by pure zeal, I consecrate my strain, Me first accept! And to my search unfold, Heaven and her host in beauteous order rolled, The eclipse that dims the golden orb of day, And changeful labour of the lunar ray; Whence rocks the earth, by what vast force the main Now bursts its barriers, now subsides again; Why wintry suns in ocean swiftly fade, Or what delays night’s slow-descending shade. Sotheby.
When, by a proscription of the Triumvirate, the lands of Cremona and Mantua were distributed amongst the veteran soldiers, Virgil had the good fortune to recover his possessions, through the favour of Asinius Pollio, the deputy of Augustus in those parts; to whom, as well as to the emperor, he has testified his gratitude in beautiful eclogues.
The first production of Virgil was his Bucolics, consisting of ten eclogues, written in imitation of the Idyllia or pastoral poems of Theocritus. It may be questioned whether any language which has its provincial dialects, but is brought to perfection, can ever be well adapted, in that state, to the use of pastoral poetry. There is such an apparent incongruity between the simple ideas of the rural swain and the polished language of the courtier, that it seems impossible to reconcile them together by the utmost art of composition. The Doric dialect of Theocritus, therefore, abstractedly from all consideration of simplicity of sentiment, must ever give to the Sicilian bard a pre-eminence in this species of poetry. The greater part of the Bucolics of Virgil may be regarded as poems of a peculiar nature, into which the author has happily transfused, in elegant versification, the native manners and ideas, without any mixture of the rusticity of pastoral life. With respect to the fourth eclogue, addressed to Pollio, it is avowedly of a nature superior to that of pastoral subjects: