Mr. Allison writes with no pretensions to literary art, and he sometimes chronicles very trifling occurrences; but he has an engaging modesty and a genial "take it or leave it" attitude which redeem his book from the charge of triviality. _My Kingdom for a Horse!_ should be invaluable to the historian of social manners and to the novelist who is anxious to get material for the reconstruction of a time which already seems historical. There are plenty of illustrations--mostly process reproductions of old photographs and examples of Phil May's work. We wish, by the way, if Mr. Allison owns the copyright, that he would persuade some publisher to issue a new and worthier edition of May's _The Parson and the Painter_, which first appeared in the _St. Stephen's Review_.

HOW THE WAR CAME. By the EARL LOREBURN. Methuen. 7_s._ 6_d._ net.

The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920 — Part 100

There is very little disagreement to-day, we suppose, as to who were the prime authors of the War. But on the minor question, whether any blame attaches to the Entente Powers, opinion is, as it was from the beginning, far more divided. The controversy as to our own position in the crisis, which had almost faded out of the public mind, is sharply revived by Lord Loreburn's book. Lord Loreburn, let us hasten to say, does not deny the guilt of Germany. Indeed, he is at pains to show how the Bismarckian tradition, improved upon by chauvinistic professors, a more or less demented monarch and a ruthless military caste, had sapped the morality of the German nation and made it all too ready to follow its rulers into a deliberate attack on the peace of Europe. Nor does he lend any support to the suggestion that the British Government or the British people wanted war with Germany. He pays a tribute to the efforts made by the Foreign Secretary to avert the disaster at the eleventh hour. And yet Viscount Grey cannot, in his mind, escape a large share of responsibility for the final conflagration. For what made the war inevitable, he asserts, was our entente with France. That entente was a departure from the traditional British policy of holding aloof from all Continental entanglements. It was developed by Sir Edward Grey, with the assistance of Mr. Asquith and Lord Haldane, behind the backs of Parliament, and even of the Cabinet, from the end of 1905 onwards. Not only was Sir Edward Grey working in secret; he was committing this country to the support of France (and through France of Russia) without taking the necessary steps to increase the army so as to make that support effective. And, worst of all, he had nothing in black and white to define exactly to what amount of support we were committed. The result was seen on August 4th, 1914, when it became manifest that we were under an obligation of honour to join our arms with the French against Germany. Sir Edward Grey, of course, maintained that we were not so bound, that we were free to decide whether to declare war or not. And it is certain that a large part, if not the whole, of the nation, was convinced that it was the attack on Belgium which did finally bring us in. But this, says Lord Loreburn, was a delusion, which flowed from the arch-delusion of Sir Edward Grey that our hands were free.

The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920 — Part 100