Good and charming women are to be found upon the stage. Virtue usually triumphs; they are happy in their home life, devoted to their children, sympathetic to their friends, and generous almost to a fault. The leading actresses are, generally speaking, not only the best exponents of their art, but the best women too. The flash and dash come to the police courts, and end their days in the workhouse.

The stage at best means very, very hard work, and theatrical success is only fleeting in most cases. It must be seized upon when caught and treated as a fickle jade, because money and popularity both take wings and fly away sooner than expected. In all professions men and women quickly reach their zenith, and if they are clever may hold that position for ten years. After that decline is inevitable and more rapid than the ascent has been.

Behind the Footlights — Part 193

If a reputation is to be made, it is generally achieved by either man or woman before the age of forty. By fifty the summit of fame is reached, and the downward grade begun. One can observe this again and again in every profession.

Behind the Footlights — Part 193

A great actor, doctor, lawyer, writer, or painter has ten years of success, and if he does not provide for his future during those ten years, ’tis sad for him. As the tide turns on the shore, so the tide turns on the careers of men and women alike.

Behind the Footlights — Part 193

Public life is not necessarily bad. In the first place, it is only the man with strong individuality who can ever attain publicity. He must be above the ordinary ruck and gamut, or he will never receive public recognition. If, therefore, he is stronger than his brother, he should be stronger also to resist temptation, to disdain self-love or vainglory. The moment his life becomes public he is under the microscope, and should remember his influence is great for good or ill. Popular praise is pleasant, but after all it means little; one’s own conscience is the thing, that alone tells whether we have given of our best or reached our ideal. The true artist is never satisfied, therefore the true artist never suffers from a swelled head; it is the minor fry who enjoy that ailment.

The temptations behind the footlights are enormous. It is useless denying the fact. One may love the stage, and count many actors and actresses among one’s friends; but one cannot help seeing that theatrical life is beset by dangers and pitfalls.