The first impression of Hauptmann was that he was not a man of easy social carriage, rather discreet, almost shy, and uncommunicative. An absorbed, deep dreamer, yet a keen observer of the human all too human, not easily led astray, not Goethe, rather Hoelderlin.
The guest room of the "Preussischen Hof" contained many empty benches. The keeper thereof had ample time to meditate over the mission of the strange gentleman, in the weaving districts. I learned the next morning that he had quite decided that Hauptmann was some government emissary, intrusted with examining the prevailing distress of the weavers. One thing, however, appeared suspicious, the man associated with the "Reds," who, according to the government newspaper, only exaggerated the need and poverty to incite the people for their own political ends.
Whether or not the misery of the weavers that winter had reached such a point as to warrant an official investigation, had been the topic of discussion for weeks. The State Attorney, too, had taken an active part in the matter. The criticism in the labor paper, "The Proletarian," of which I was the editor, that the exorbitant profit-making methods of the manufacturers, which left the workers nothing to live on, were met with a number of indictments against the paper on the following grounds: "It was indictable to incite the public at the moment when the prevailing poverty was in itself sufficient to arouse the people and cause danger; that this was criminal, and therefore punishable. The distress was thereby officially acknowledged; was that not sufficient? Why then hold the conditions up before the special attention of the people?"
We mapped out a tour through the home-weaving settlements. At Langenbielau, the textile industry had to a large extent been carried on in mills and factories and at a higher wage. Misery was not so appalling and hopeless there, as in the huts of the home weavers.
The following days unrolled a horrible picture before the eyes of the poet. The figures of Baumann and Ansorge from his play "The Weavers" became real.
With mute accusation on their lips, they moved before the human eye in tangible shape; yet one longed to believe they were only phantoms. They lived, but how they lived was a burning shame to civilization. Huts, standing deep in the snow, like whitened sepulchres, and despair staring from every nook, in these days of paternal care, just as at the time of the famine that swept across the district in 1844.