Returning to the machine, DuQuesne calmly stepped over the bodies of the detectives and the unconscious form of the dying Japanese, who was uttering an occasional groan. He started the engine and took his seat. There was an increasing roar as he opened the throttle, and soon he descended upon the field from which he had set out. He noted that there was a man in an automobile at some distance from the hangar, evidently waiting to take care of the plane and his still unconscious passenger. Rapidly resuming his ordinary clothing, he stepped into his automobile and was soon back in his own rooms, poring over the blueprints and notebooks.

Seaton and Crane both felt that something was wrong when they approached the landing field and saw that the landing-lights were not burning, as they always were kept lighted whenever the plane was abroad after dark. By the dim light of the old moon Crane made a bumpy landing and they sprang from their seats and hastened toward the house. As they neared it they heard a faint moan and turned toward the sound, Seaton whipping out his electric torch with one hand and his automatic pistol with the other. At the sight that met their eyes, however, he hastily replaced the weapon and bent over Shiro, a touch assuring him that the other two were beyond the reach of help. Silently they picked up the injured man and carried him gently into his own room, barely glancing at the wrecked safe on the way. Seaton applied first-aid treatment to the ghastly wound in Shiro's head, which both men supposed to be certainly fatal, while Crane called a noted surgeon, asking him to come at once. He then telephoned the coroner, the police, and finally Prescott, with whom he held a long conversation.

The Skylark of Space — Part 41

Having done all in their power for the unfortunate man, they stood at his bedside, their anger all the more terrible for the fact that it was silent. Seaton stood with every muscle tense. He was seething with rage, his face purple and his eyes almost emitting sparks, his teeth clenched until the muscles of his jaws stood out in bands and lumps. His right hand, white-knuckled, gripped the butt of his pistol, while under his left the brass rail of the bed slowly bent under the intensity of his unconscious muscular effort. Crane stood still, apparently impassive, but with his face perfectly white and with every feature stern and cold as though cut from marble. Seaton was the first to speak.

The Skylark of Space — Part 41