Other kinds of amusements were also offered to the guests at the symposia. In the "Banquet" of Xenophon, at an early stage of the proceedings, a Syracusan appears, who has been invited by the host, with a flute girl, a dancing girl, and a beautiful boy who plays a harp and dances. They play and perform pantomimic dances; in particular, there is a full description of one such dance, which represents in very graceful fashion the meeting of Ariadne with Dionysus. Conjurers, too, so-called "Thaumaturgists," show their skill on these occasions. The dancing girl in Xenophon's "Banquet" throws twelve rings into the air while dancing, and catches them all in turn; then she performs a bold sword dance, turning head over heels into a stand round which sharp knives are set, and out again in the same fashion. We often find similar representations on vase paintings; thus, Fig. 99 shows a girl walking on her hands and performing a dangerous dance between sharp swords. In a similar posture the woman represented in Fig. 100 shoots an arrow with her toes from a bow held between her feet. The ancient jugglers seem to have known all the many tricks which are still admired at fairs and other popular festivals, such as swallowing swords, eating fire, etc.; a feat unknown at the present day was writing on a quickly-revolving potter's wheel, or reading something written on it. It was very common to invite such jugglers at weddings or after feasts, but it was undoubtedly a confession of weakness to have recourse to such trivialities instead of carrying on an intellectual and interesting conversation. On a similar low level were the official "entertainers," who in ancient times took the place of the Court fools of the middle ages. The jokes of these "entertainers," who travelled from house to house, from meal to meal, who were always hungry, and glad to supply their jokes in return for entertainment and payment, were as a rule very poor and shallow, and their chief point seems to have consisted in leading the young men to make fun of each other, and to submit good-humouredly to jokes practised upon them.
On a higher level were those social entertainments which laid the intelligence and wit of the participants under contribution. To begin with, there was free conversation, dealing with the many questions of the day, politics, literature, etc.; but they generally avoided serious subjects, and Anacreon says:--