—Not old, Stephen said. She wishes me to make my easter duty.

—That remark was made before, Cranly said calmly.

A Portrait of the Artist as a Young Man — Part 166

—It is made behind now, said Stephen hotly.

A Portrait of the Artist as a Young Man — Part 166

—Go easy, my dear man. You’re an excitable bloody man, do you know.

A Portrait of the Artist as a Young Man — Part 166

He laughed nervously as he spoke and, looking up into Stephen’s face with moved and friendly eyes, said:

—Do you know that you are an excitable man?

—I daresay I am, said Stephen, laughing also.

Their minds, lately estranged, seemed suddenly to have been drawn closer, one to the other.

—Do you believe in the eucharist? Cranly asked.

—I neither believe in it nor disbelieve in it, Stephen answered.

—Many persons have doubts, even religious persons, yet they overcome them or put them aside, Cranly said. Are your doubts on that point too strong?

—I do not wish to overcome them, Stephen answered.

Cranly, embarrassed for a moment, took another fig from his pocket and was about to eat it when Stephen said:

—Don’t, please. You cannot discuss this question with your mouth full of chewed fig.

Cranly examined the fig by the light of a lamp under which he halted. Then he smelt it with both nostrils, bit a tiny piece, spat it out and threw the fig rudely into the gutter. Addressing it as it lay, he said:

—Depart from me, ye cursed, into everlasting fire!

Taking Stephen’s arm, he went on again and said:

—Do you not fear that those words may be spoken to you on the day of judgement?

—What is offered me on the other hand? Stephen asked. An eternity of bliss in the company of the dean of studies?

—Remember, Cranly said, that he would be glorified.

—Ay, Stephen said somewhat bitterly, bright, agile, impassible and, above all, subtle.

—It is a curious thing, do you know, Cranly said dispassionately, how your mind is supersaturated with the religion in which you say you disbelieve. Did you believe in it when you were at school? I bet you did.

—And were you happier then? Cranly asked softly, happier than you are now, for instance?

—Often happy, Stephen said, and often unhappy. I was someone else then.

—How someone else? What do you mean by that statement?

—I mean, said Stephen, that I was not myself as I am now, as I had to become.

—Not as you are now, not as you had to become, Cranly repeated. Let me ask you a question. Do you love your mother?