SPENSER'S FATE.--The fate of Spenser is a commentary upon courtiership, even in the reign of Elizabeth, the Faery Queene. Her requital of his adoration was an annual pension of fifty pounds, and the ruined castle and unprofitable estate of Kilcolman in Ireland, among a half-savage population, in a period of insurrections and massacres, with the requirement that he should reside upon his grant. An occasional visit from Raleigh, then a captain in the army, a rambler along the banks of the picturesque Mulla, and the composition and arrangement of the great poem with the suggestions of his friend, were at once his labors and his only recreations. He sighed after the court, and considered himself as hardly used by the queen.
At length an insurrection broke out, and his home was set on fire: he fled from his flaming castle, and in the confusion his infant child was left behind and burned to death. A few months after, he died in London, on January 16, 1598-9, broken-hearted and poor, at an humble tavern, in King Street. Buried at the expense of the Earl of Essex, Ann Countess of Dorset bore the expense of his monument in Westminster Abbey, in gratitude for his noble championship of woman. Upon that are inscribed these words: _Anglorum poetarum nostri seculi facile princeps_--truer words, great as is the praise, than are usually found in monumental inscriptions.
Whatever our estimate of Spenser, he must be regarded as the truest literary exponent and representative of the age of Elizabeth, almost as much her biographer as Miss Strickland, and her historian as Hume: indeed, neither biographer nor historian could venture to draw the lineaments of her character without having recourse to Spenser and his literary contemporaries.
_Richard Hooker_, 1553-1598: educated at Oxford, he became Master of the Temple in London, a post which he left with pleasure to take a country parish. He wrote a famous work, entitled "A Treatise on the Laws of Ecclesiastical Polity," which is remarkable for its profound learning, powerful logic, and eloquence of style. In it he defends the position of the Church of England, against Popery on the one hand and Calvinism on the other.
_Robert Burton_, 1576-1639: author of "The Anatomy of Melancholie," an amusing and instructive medley of quotations and classical anecdotes, showing a profound erudition. In this all the causes and effects of melancholy are set forth with varied illustrations. His _nom de plume_ was Democritus, Jr., and he is an advocate of the laughing philosophy.