The design may be worked either in one shade, as in fig. 319, or in two, as in fig. 320, where all the outside stitches are worked in the darker shade of the given colours.

[Illustration: FIG. 319. GOTHIC BORDER IN CROSS STITCH. MATERIALS: Coton à tricoter D.M.C Nos. 6 to 12, Coton à broder D.M.C Nos. 16 to 35, or Cordonnet 6 fils D.M.C Nos. 3 to 15.[A] COLOURS: Rouge-Turc 321, or two shades of Bleu-Indigo, 311 and 334, or two shades of Rouge-Grenat, 358 and 359 or two shades of Brun-Acajou, 300 and 402.[A]]

Encyclopedia of Needlework — Part 74

[Illustration: FIG. 320. GOTHIC BORDER IN CROSS STITCH. MATERIALS: Coton à tricoter D.M.C Nos. 16 to 35. COLOURS: Bleu-Indigo 311 and 344, or Rouge-Cardinal 346 and Rouge-Géranium 335, or Gris-Tilleul 391 and 331.[A]]

Encyclopedia of Needlework — Part 74

POWDERING AND BORDER. ALBANIAN SUBJECTS (figs. 321 and 322).—The arrangement of colours for these charming patterns, of Albanian origin, should be as follows; the dark-coloured crosses, red, the lighter ones, alternately blue and green, the lightest, yellow.

Encyclopedia of Needlework — Part 74

[Illustration: FIG. 321. POWDERING. ALBANIAN SUBJECT. MATERIALS: Coton à tricoter D.M.C Nos. 6 to 12, Cordonnet 6 fils D.M.C Nos. 3 to 25 or Coton à repriser D.M.C No. 12, 25 or 50.[A]

COLOURS: Rouge-Cardinal 347, Bleu-Indigo 322, Vert métallique 465, Jaune-Orange 444, Gris-Brun 409.[A]]

In fig. 321, most of the stitches in every other diagonal row, are worked in red, the others in green or blue; in the intermediate rows the flowers are worked alternately, in green and red, or blue and red, and throughout, the centre of each figure should consist of 4 stitches in yellow.

[Illustration: FIG. 322. ALBANIAN SUBJECT. MATERIALS: Coton à tricoter D.M.C Nos. 6 to 12, Coton à broder D.M.C Nos. 16 to 35 or Cordonnet 6 fils D.M.C Nos. 3 to 25.[A] COLOURS: Rouge-Cardinal 347, Bleu-Indigo 312, Jaune-Orange 444, Vert métallique 465, Gris-Brun 409.[A]]

In fig. 321, which serves as a border to the above, only the stalks of the 4 conventional pinks, which, with the cross in their middle, form a square, are in brown.

These squares are separated from the bottom border by an insertion, in Gobelin stitch, worked over 6 threads, in red, blue, green and yellow, from 20 to 25 stitches of each. This band is edged on both sides with a row of stem stitches, worked in yellow over 4 threads. The Holbein stitches that border the band, can be made in whichever colour the worker prefers, or else in red and gold thread.