"Not _too_ near the window, and certainly not near the door," says practical Molly promptly. "It mustn't be in a draught. _Here_ would be a good place. Don't you think so, Honor? O, good gracious! here they come with it, staggering under its weight. How nicely it will help to furnish the room, Honor! And oh, what a dear old man Sir Peter is! I hope you'll grow up like him, Hugh!"

"Thanks! I shall want to strike out in a line of my own before I reach Sir Peter's age," laughs Hugh. "Do you wish me to be the same height also, Molly? because I can't accommodate you there, being already about half a foot taller."

Three Bright Girls — Part 69

At this point all three are driven ignominiously into a corner by the piano, which, being now placed on the little wheeled platform used for such purposes, runs into the room in quite a jaunty manner.

Three Bright Girls — Part 69

"I suppose it _is_ ours," hazards Honor, looking rather dubiously at the back of it.

Three Bright Girls — Part 69

"Of course it is; can't you recognize it? Besides, look here"--and Molly takes up one of the legs which have been laid down in a corner,--"don't you see where Timothy sharpened his claws one day just before Christmas? Here are the long scratches, down the right leg. What a way mother was in! I remember it quite well. Don't you, Honor?"

"I think I can vouch for its being your own also," says Hugh, "considering that I bought it at the sale; besides, Sir Peter sent the note to me, and asked me to give it to the man to bring with it, and I saw it packed up myself."

The three young people are just leaving the room, all deploring the protracted absence of the furniture vans, which the men had solemnly declared to Honor would be there by ten o'clock, if not sooner (it being now between twelve and one), when they are suddenly startled by a tremendous commotion outside in the garden, and rushing down the steps they hear a series of "chuck-a-chucks" in every key and style, coming from round the other side of the house. Hastening to that part of the garden they rush right into the midst of a panting group of boys, whose heated countenances denote excitement in the highest degree. Alick is leaning, flushed with victory, against the wall of the chicken-house, a pendent hen in each hand, which, notwithstanding the disadvantages of an inverted position, still give utterance now and then to mildly remonstrating "chuck-a-chucks." Ted is at the same moment engaged in gravely dodging a fine duck, which appears anxious to betake itself to the flower-garden; and just as Hugh and the girls are all opening their mouths together to speak, Regy appears from behind the chicken-house also the triumphant captor of two indignant hens. They all look at one another, and then burst out laughing simultaneously, and Regy, not stopping to explain matters, says: