What are they but air, sea, the elements, which have taken wing and fly? I know nothing of it. To see their gray eye, stern and cold (never successfully imitated in our museums), is to see the gray, indifferent sea of the north in all its icy impassiveness. What do I say? That sea exhibits more emotion. At times phosphorescent and electrical, it will rise into strong animation. Old Father Ocean, saturnine and passionate, often revolves, under his pale countenance, a host of thoughts. His sons, the goëlands, have less of animal life than he has. They fly, with their dead eyes seeking some dead prey; and in congregated flocks they expedite the destruction of the great carcasses which float upon the sea for their behoof. Not ferocious in aspect, amusing the voyager by their sports, by frequent glimpses of their snowy pinions, they speak to him of remote lands, of the shores which he leaves behind or is about to visit, of absent or hoped-for friends. And they are useful to him, also, by announcing and predicting the coming storm. Ofttimes their sail expanded warns him to furl his own.
For do not suppose that when the tempest breaks they deign to fold their wings. Far from this: it is then that they set forth. The storm is their harvest time; the more terrible the sea, so much the less easily can the fish escape from these daring fishers. In the Bay of Biscay, where the ocean-swell, driven from the north-west, after traversing the Atlantic, arrives in mighty billows, swollen to enormous heights, with a terrific clash and shock, the tranquil petrels labour imperturbably. "I saw them," says M. de Quatrefages, "describe in the air a thousand curves, plunge between two waves, reappear with a fish. Swiftest when they followed the wind, slowest when they confronted it, they nevertheless poised always with the same ease, and never appeared to give a stroke of the wing the more than in the calmest weather. And yet the billows mounted up the slopes, like cataracts reversed, as high as the platform of Nôtre Dame, and their spray higher than Montmartre. They did not appear more moved by it."
Man has not their philosophy. The seaman is powerfully affected when, at the decline of day, a sudden night darkening over the sea, he descries, hovering about his barque, an ominous little pigeon, a bird of funereal black. _Black_ is not the fitting word; black would be less gloomy: the true tint is that of a smoky-brown, which cannot be defined. It is a shadow of hell, an evil vision, which strides along the waters, breasts the billows, crushes under its feet the tempest. The stormy petrel (or "St. Peter") is the horror of the seaman, who sees in it, according to his belief, a living curse. Whence does it come? How is it able to rise at such enormous distances from all land? What wills it? What does it come in quest of, if not of a wreck? It sweeps to and fro impatiently, and already selects the corpses which its accomplice, the atrocious and iniquitous sea, will soon deliver up to its mercies.