_Pastorale in F (240)._ In four movements. Mostly copied singly. Forkel possessed a copy in which all four movements were combined in a whole.
_In G._ The subject of the fugue is the same as that of the opening chorus in the cantata, “Ich hatte viel Bekümmernis.”
_Fantasia and Fugue in G minor (241)._ Composed at Cöthen, probably as an act of homage to Reinken. In one copy the fantasia is called “prelude.” In another copy the fugue is in F minor with a remark, “The very best pedal-piece by Herr Joh. Seb. Bach.”
_B minor._ The Peters’ edition is from the original MS. in the possession of Sir Herbert Oakeley.
_Prelude and Fugue (242) E flat._ From the “Clavierübung.” The fugue, like those of Buxtehude, is in three movements.
_Toccata and Fugue (242) in F._ The compass of the pedals in this toccata shows that it must have been written for the organ in the Lutheran Church at Cöthen. (See Glossary “Orgel-büchlein.”) In the Bachgesellschaft edition the toccata is called fantasia.
_In D minor._ Called Dorian from the flat being omitted from the signature. The toccata is called “prelude” in some copies.
_Preludes and Fugue (242) in D minor._ The prelude has no pedal part. The fugue is arranged from the earlier violin solo fugue in G minor (228).
_Prelude and Fugue in C (242)._ This was originally in E major. The fugue is in two portions, divided by nine bars of florid passages. It was transposed to C for some of the old organs which had only two octaves of pedals. In Kirnberger’s MS. it is called “Preludio con Fantasia con Pedal.”
_Toccata and Fugue in C (242)._ The toccata is separated from the fugue by a very beautiful aria, in which a melody is accompanied by chords and staccato bass, the only instance of the kind in Bach’s organ works. In one MS. the toccata is called “Preludium.”
_Prelude and double Fugue (242) in A minor._
_In D._ The prelude is in two movements. The work, which is very brilliant, is inscribed “Concertata” as if intended more for concert than church use. In one copy the work is called simply “Pièce d’orgue, von Joh. Seb. Bach.”
_Prelude and Fugue in C minor (243)._ In some MSS. this is in D minor.
_Fugues (243) in C minor._ On a theme by Legrenzi. A second subject appears in the course of the fugue, which after being worked independently is finally united to the first in a double fugue.