It may not be thought a very high quality in a heroine, but Kirsteen soon developed a true genius for her craft. She had never forgotten Miss Macnab’s little lecture upon the accuracy of outline necessary for the proper composition of a gown--and thus had acquired the first principles almost without knowing it. She followed up this, which is the heart of the matter, by many studies and compositions in which her lively mind found a great deal of pleasure. She was not, perhaps, very intellectual, but she was independent and original, little trained in other people’s ideas and full of fancies of her own, which, to my thinking, is the most delightful of characteristics. I remember that Mr. Charles Reade has endowed one of the most charming women whom he has introduced to the knowledge of the world with the same gift. Mrs. Lucy Dodd only, I think, made and invented mantles; but Kirsteen tried her active young powers upon everything, being impatient of sameness and monotony, and bent upon securing a difference, an individual touch in every different variety of costume. She was delighted with the beautiful materials, which were thrown about in the work-room, the ordinary mantua-maker having little feeling for them except in view of their cost at so much a yard. But Kirsteen, quite unused to beautiful manufactured things, admired them all, and found a pleasure in heaping together and contrasting with each other the soft silken stuffs, many of them with a sheen of two blended colours called “shot” in those days. Manufactures had not come to such perfection then as now, but there were no adulterated silks or cheap imitations; the very muslins, sprigged and spotted with many fanciful variations, were as costly as brocade nowadays--the kind of brocade which the later nineteenth century indulges in. To be sure, on the other hand, the plain straight gown required very much less material than is necessary now.
I do not myself think that dress was pretty in those days--but every fashion is beautiful to its time. And how the ladies of the early century managed to make themselves comfortable in white muslin gowns in December, even with a cloth pelisse over them, is more than I can divine, though I find in Miss Jean Brown’s copy of the _Ladies’ Museum_ that this was the case. However that may be--and I do not suppose that Kirsteen was before her time, or more enlightened than the rest of the world--it is certain that she applied herself to the invention of pretty confections and modifications of the fashion with much of the genuine enjoyment which attends an artist in all crafts, and liked to handle and drape the pretty materials and to adapt them to this and that pretty wearer, as a painter likes to arrange and study the more subtle harmonies of light and shade. Miss Jean, who had herself been very successful in her day, but was no longer quite so quick to catch the value of a tint, or so much disposed to stand over a subject and attain perfection in the outline of a skirt, was wise enough to perceive the gifts of her young assistant, and soon began to require her presence in the show-room, to consult with her over special toilettes and how to secure special effects. She did this at first, however, with some reluctance, always haunted by the fear that Kirsteen might thus be exposed to remark, and even that she herself might suffer for her audacity in employing a gentlewoman in so exalted a rank of life. “What if some of your grand connections or acquaintances should see ye?” she said. “I have no grand connections,” said Kirsteen, vexed to have this want brought back and back upon her consciousness. “For ye see I have all the nobility coming about the place,” said Miss Jean proudly; “and now that the season has begun it is different from the winter.” “I know nothing about the nobility,” cried Kirsteen again. She was angered at last by the assumption, all the more that her want of acquaintance with what was so clearly understood to be her own class, now became so evident to her as to be a grievance--a grievance that she had never been conscious of before.