Olafur Eliasson (; born 5 February 1967) is an Icelandic–Danish artist known for sculptured and large-scaled installation art employing elemental materials such as light, water, and air temperature to enhance the viewer's experience.

In 1995, Olafur established Studio Olafur Eliasson in Berlin, a laboratory for spatial research. In 2014, Olafur and his long-time collaborator – German architect Sebastian Behmann – founded Studio Other Spaces, an office for architecture and art.

Olafur Eliasson

Olafur represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The Weather Project, which has been described as "a milestone in contemporary art", in the Turbine Hall of Tate Modern, London.

Olafur Eliasson

Olafur has engaged in a number of public projects, including the intervention Green river, carried out in various cities between 1998 and 2001; the Serpentine Gallery Pavilion 2007, London, a temporary pavilion designed with the Norwegian architect Kjetil Trædal Thorsen; and The New York City Waterfalls, commissioned by Public Art Fund in 2008. Olafur also created the Breakthrough Prize trophy. Like much of his work, the sculpture explores the common ground between art and science. It is molded into the shape of a toroid, recalling natural forms found from black holes and galaxies to seashells and coils of DNA.

Olafur Eliasson

Olafur was a professor at the Berlin University of the Arts from 2009 to 2014 and has been an adjunct professor at the Alle School of Fine Arts and Design in Addis Ababa since 2014. His studio is based in Berlin, Germany.

Life and career

Early life and education

Olafur Eliasson was born in Copenhagen in 1967 to Elías Hjörleifsson and Ingibjörg Olafsdottir. His parents had emigrated to Copenhagen from Iceland in 1966, his father to find work as a cook and his mother as a seamstress. He was 8 when his parents separated. He lived with his mother and his stepfather, a stockbroker. His father, then an artist, moved back to Iceland, where their family spent summers and holidays.

At 15, Olafur had his first solo show where he exhibited landscape drawings and gouaches at a small alternative gallery in Denmark. However, Olafur considered his "break-dancing" during the mid-1980s to be his first artworks. With two school friends, he formed a group that called themselves the Harlem Gun Crew and with whom he performed at clubs and dance halls for four years, eventually winning the Scandinavian championship.

Olafur studied at the Royal Danish Academy of Fine Arts from 1989 to 1995. In 1990, when he was awarded a travel budget by the Royal Danish Academy, Olafur went to New York where he started working as a studio assistant for artist Christian Eckart in Williamsburg, Brooklyn and reading texts on phenomenology and Gestalt psychology.

Artistic career

Olafur received his degree from the academy in 1995, after having moved in 1993 to Cologne for a year, and then to Berlin, where he has since maintained a studio. First located in a three-story former train depot right next door to the Hamburger Bahnhof, the studio moved to a former brewery in Prenzlauer Berg in 2008.

In 1996, Olafur started working with Einar Thorsteinn, an architect and geometry expert 25 years his senior as well as a former friend of Buckminster Fuller. The first piece they created called 8900054, was a stainless-steel dome wide and high, designed to be seen as if it were growing from the ground. Though the effect is an illusion, the mind has a hard time believing that the structure is not part of a much grander one developing from deep below the surface. Thorsteinn's knowledge of geometry and space has been integrated into Olafur's artistic production, often seen in his geometric lamp works as well as his pavilions, tunnels and camera obscura projects.