An immense ancient clock, which could be seen from afar, was set in the tower. Its complicated mechanism occupied an entire story of the structure, and it was under the care of a one-eyed man who could use a magnifying glass with expert skill. This was the reason why he had become a clockmaker and had tinkered for years with small timepieces before he was given charge of the large clock. Here he felt at home and happy. Often, at odd hours, without apparent need he would enter the room where the wheels, the gears and the levers moved deliberately, and where the immense pendulum cleft the air with wide and even sweep. Having reached the limit of its travel the pendulum said:

Then it sank and rose again to a new elevation and added:

When the King Loses His Head and Other Stories — Part 6

“’Twill ever be, ’twas ever thus, ’twill ever be, ’twas ever thus, ’twill ever be.”

When the King Loses His Head and Other Stories — Part 6

These were the words with which the one-eyed clockmaker was wont to interpret the monotonous and mysterious language of the pendulum: the close contact with the large clock had made him a philosopher, as they used to say in those days.

When the King Loses His Head and Other Stories — Part 6

Over the ancient city where the tower stood, and over the entire land there ruled one man, the mystic lord of the city and of the land, and his mysterious sway, the rule of one man over the millions was as ancient as the city itself. He was called the King and dubbed the “Twentieth,” according to the number of his predecessors of the same name, but this fact explained nothing. Just as no one knew of the early beginnings of the city, no one knew the origin of this strange dominion, and no matter how far back human memory reached the records of the hoary past presented the same mysterious picture of one man who lorded over millions. There was a silent antiquity over which the memory of man had no power, but it, too, at rare intervals, opened its lips; it dropped from its jaws a stone, a little slab marked with some characters, the fragment of a column, a brick from a wall that had crumbled into ruin—and again the mysterious characters revealed the same tale of one who had been lord over millions. Titles, names and soubriquets changed, but the image remained unchanged, as if it were immortal. The King was born and died like all men, and judging from appearance, which was that common to all men, he was a man; but when one took into account the unlimited extent of his power and might, it was easier to imagine that he was God. Especially as God had been always imagined to be like a man, and yet suffered no loss of his peculiar and incomprehensible essence. The Twentieth was the King. This meant that he had power to make a man happy or unhappy; that he could take away his fortune, his health, his liberty and his very life; at his command tens of thousands of men went forth to war, to kill and to die; in his name were wrought acts just and unjust, cruel and merciful. And his laws were no less stringent than those of God; this too enhanced his greatness in that God’s laws are immutable, but he could change his at will. Distant or near, he always was higher than life; at his birth man found along with nature, cities and books—his King; dying—he left with nature, cities and books—the King.