It is a pity Wagner ever touched the Celtic Legend--German sentimentality and Celtic romance need a Heine to deal with them!

It is indeed a difficult task to write of the relations between romantic love and devotional religion and to do it in the grand style. That is where Dante is so supremely great. And that is why, for all his greatness, his influence upon modern art has been so morbid and evil. The odious sensuality of the so-called "Pre-Raphaelite School" --a sensuality drenched with holy water and perfumed with incense--has a smell of corruption about it that ought never to be associated with Dante's name.

Visions and Revisions — Part 16

The worst of modern poets, the most affected and the most meticulous, are all anxious to seal themselves of the tribe of Dante. But they are no more like that divine poet than the flies that feed on a dead Caesar are like the hero they cause to stink!

Visions and Revisions — Part 16

Our brave Oscar understood him. Some of the most exquisite passages in "Intentions" refer to his poetry. Was the "Divine Comedy" too clear-cut and trenchant for Walter Pater? It is strange how Dante has been left to second-rate interpreters! His illustrators, too! O these sentimentalists, with their Beatrices crossing the Ponte Vecchio, and their sad youths looking on! All this is an insult--a sacrilege--to the proudest, most aristocratic spirit who ever dwelt on earth! Why did not Aubrey Beardsley stop that beautiful boy on the threshold? He who was the model of his "Ave atque vale!" might have well served for Casella, singing among the cold reeds, in the white dawn.

Visions and Revisions — Part 16

For there are scenes in Dante which have the strange, remote, perverted, _archaic_ loveliness of certain figures on the walls of Egyptian temples or on the earliest Greek vases. Here the real artist in him forgets God and Beatrice and the whole hierarchy of the saints. And it is because of things of this kind that many curious people are found to be his worshipers who will never themselves pass forth "to re-behold the stars." They are unwise who find Dante so bitter and theological, so Platonic and devoted, that they cannot open his books. They little know what ambiguous planets, what dark heathen meteors move on the fringe of his great star-lit road. His Earthly Lady, as well as his Heavenly Lady, may have the moon beneath her feet.