The Doria fleet suffered grave damages in that night pillage, the furniture and rigging being reduced to a mass of ruins. These disorders originated with the liberated slaves, and the bad example was followed by the convicts who afterwards carried confusion and alarm into the city. Many of the lowest class of the people penetrated into the foundries and shipyards of Doria, and what they could not carry away they threw into the sea. During the following days, the convicts were hunted out in every quarter of the city and taken back to their oars, and some of the equipments of the ships were recovered by the zealous efforts of Adamo Centurione whose pecuniary interests were united to those of Doria.

It is worth while to observe that the storm of this conspiracy broke over the ships of Andrea. The government issued a proclamation that whoever should have taken or should find anything belonging to the galleys of the prince, as arquebuses, pikes, halberds, visors, helmets, corselets, axes or any other arms or tool belonging to these vessels, should within three days consign them to the justices in the Riviera, or to the agents of Doria in Genoa, or deposit them in the churches of San Vito and Annunziata.

The Conspiracy of Gianluigi Fieschi, — Part 114

Our historians have neglected to describe one of the galleys of Doria which was a wonderful specimen of Genoese naval architecture. She was built by Doria in 1539 for the personal use of Charles V. in his expedition to Tunis, and surpassed all other galleys by fifteen palms in length and four palms in breadth[47]. She bore three standards of crimson damask, each twenty-three palms in length and beautifully embroidered in gold. The one in the midst had in the centre a star with golden rays and appropriate inscriptions; that at the stern bore the figure of an angel and the one on the prow a shield, a helmet and a sword. Besides, there were three flags at the poop also of damask and thirty palms in length, and another banner of white damask was embroidered with chalices, pontifical keys and red crosses, with fitting inscriptions. There were two flags of red damask bearing the imperial columns and the device--_plus ultra_--invented by the Milanese Marliano, physician to Charles V. and an excellent mathematician. The vessel also had twenty-four other flags of yellow damask and appropriate devices. The saloon was adorned with beautiful arabesques in blue and gold, and the sides were tapestried with cloth of gold and silver, hung so as to represent pavillioned domes. The castle on the poop was covered with exquisite carvings and there were two carpets for the deck, one of scarlet cloth for daily use and another, for state occasions, of crimson velvet and brocade of gold. The crew wore satin jackets. The gun carriages, rigging and other furniture were all in the most perfect style and finish of the naval art of that period. The slaves and convicts ruined all these splendid equipments and furniture.

The Conspiracy of Gianluigi Fieschi, — Part 114