Among the tombs extracted from the Alyscamp and now in the Museum of Arles, is another of a girl, and a very accomplished young lady she must have been; her name was Julia, and she was the daughter of Lucius Tyrannus. She died at the age of twenty; the inscription on her tomb records that in her morals and in her schooling she was a pattern to all other girls.
[Illustration: Musical instruments from the tomb of Julia.]
What is particularly interesting about this monument is that it gives illustrations of all the musical instruments she was able to play, and it affords us I believe, the earliest known example of the organ. [1] But what is even more curious is that on it is represented a guitar, very much the same as is now manufactured.
[Footnote 1: Nero on the night when he died was going to try a water-organ, when the news of the revolt of Galba and the defection of the troops reached him. I am puzzled about this organ on the tomb of Julia Tyranna. Sir George Grove, in his 'Dictionary of Music,' gives an illustration of this same organ copied from Dom. Bedos' 'L'Art du Facteur d'Orgues,' Paris, 1766. This represents two slaves crouched and blowing into the organ bellows. I could not see these figures. I made my sketch carefully, and can hardly suppose the figures have been chipped away since the monument was placed in the museum.]
The instruments she could play were the organ, the guitar, the syrinx or panpipe, and the lyre, which she struck not with her fingers, but a plectrum represented beside it. Observe, between the lyre and the banjo her little satchel of music-books, and below the syrinx a lamb and palm. This is the only sign on the monument that could in the least lead to a supposition that Julia Tyranna was Christian. The inscription bears no trace of Christianity.
Another interesting monument found there is that to Calpurnia, daughter of Caius Marius. Probably she died from the exposure and roughness of life camping out, when the barbarian hordes rolled west, and all the inhabitants of the towns were obliged to fly before them to the hills. I shall in a future chapter tell the story of Caius Marius and his great victory at Pourrières over the Teutons, having first thrashed the Ambrons near Aix. Suffice it now to note that here is the tombstone of his poor little daughter. I must, however, state that the genuineness of this inscription has been called in question. It is also worthy of notice how that the victory of Marius and delivery from the barbarians impressed the people of the neighbourhood. In the museum the name of Marius occurs on other monuments. The name of Marius is even now a popular Christian name in Provence.