His prologues had such reputation, that for some time a play was considered as less likely to be well received, if some of his verses did not introduce it. The price of a prologue was two guineas, till, being asked to write one for Mr. Southern, he demanded three: "Not," said he, "young man, out of disrespect to you; but the players have had my goods too cheap[105]."
Though he declares, that in his own opinion, his genius was not dramatick, he had great confidence in his own fertility; for he is said to have engaged, by contract, to furnish four plays a year.
It is certain, that in one year, 1678[106], he published All for Love, Assignation, two parts of the Conquest of Granada, sir Martin Mar-all, and the State of Innocence, six complete plays; with a celerity of performance, which, though all Langbaine's charges of plagiarism should be allowed, shows such facility of composition, such readiness of language, and such copiousness of sentiment, as, since the time of Lopez de Vega, perhaps no other author has possessed.
He did not enjoy his reputation, however great, nor his profits, however small, without molestation. He had criticks to endure, and rivals to oppose. The two most distinguished wits of the nobility, the duke of Buckingham and earl of Rochester, declared themselves his enemies.
Buckingham characterized him, in 1671, by the name of Bayes, in the Rehearsal; a farce which he is said to have written with the assistance of Butler, the author of Hudibras; Martin Clifford, of the Charter-house; and Dr. Sprat, the friend of Cowley, then his chaplain. Dryden and his friends laughed at the length of time, and the number of hands, employed upon this performance; in which, though by some artifice of action it yet keeps possession of the stage, it is not possible now to find any thing that might not have been written without so long delay, or a confederacy so numerous.
To adjust the minute events of literary history, is tedious and troublesome; it requires, indeed, no great force of understanding, but often depends upon inquiries which there is no opportunity of making, or is to be fetched from books and pamphlets not always at hand.
The Rehearsal was played in 1671[107], and yet is represented as ridiculing passages in the Conquest of Granada and Assignation, which were not published till 1678; in Marriage à-la-mode, published in 1673; and in Tyrannick Love, in 1677. These contradictions show how rashly satire is applied[108].