The chambermaid came and Patsy ordered the housekeeper. The housekeeper came and Patsy explained to her the loss of her bag--the loss of the keys was only implied; it was a part of Patsy's creed of life never to lie unless cornered. She further implied that she was entertaining no worry, as a well-appointed hotel always carried a bunch of skeleton trunk keys for the convenience of their guests.

Patsy's inspiration worked to perfection. In a few minutes the Inn had proved itself a well-appointed hostelry, and the trunk stood open before her. Alone again, she slipped out of bed--to lock the door and investigate. A wistaria lounging-robe was on in a twinkling, with quilted slippers to match. Then Patsy's eager fingers drew forth a dark emerald velvet, with bodice and panniers of gold lace, and she clasped it ecstatically in her arms.

Seven Miles to Arden — Part 19

"Miriam always had divine taste, but the faeries must have guided her hand for the choosing of this. Sure, I'd be feeling like a king's daughter if I wasn't so weak and heartsick. I feel more like a young gosling that some one has coaxed out of its shell a day too soon. Is it the effect of Billy Burgeman, I wonder, or the left-overs from the City Hospital, or an overdose of foolishness--or hunger, just?"

Seven Miles to Arden — Part 19

"Miss St. Regis" dined in her own room, and she dined like a king's daughter, with an appetite whetted by weeks of convalescing, charity fare. Even the possible appearance at any minute of her original self offered no terrors for her in the presence of such a soul-satisfying, hunger-appeasing feast.

Seven Miles to Arden — Part 19

At nine-thirty that evening, when the manager sent the hall-boy to call her, she looked every inch the king's daughter she had dined. The hall-boy, accustomed to "creations," gave her a frank stare of admiration, which Patsy noted out of the tail of her eye.

She was ravishing. The green and gold brought out the tawny red glint of her hair, which was bound with two gold bands about the head, ending in tiny emerald clasps over the barely discoverable tips of her ears; little gold shoes twinkled in and out of the clinging green as she walked.

"Faith! I feel like a whiff of Old Ireland herself," was Patsy O'Connell's subconscious comment as "Miss St. Regis" crossed the stage; and something of the feeling must have been wafted across the footlights to the audience, for it drew in its breath with a little gasp of genuine appreciation.