The choir, chevet, and apside are of massive building, though not lacking grace, in spite of the absence of the _arcs-boutants_ of the best Gothic.
Numerous grotesque gargoyles dot the eaves and gables, though whether of the spout variety or mere symbols of superstition one can hardly tell with accuracy when viewed from the ground level.
The north and south portals of the transepts are of a florid nature, after the manner of most of the decorations throughout the structure, and are acceptable evidence of the ingenious craft of the stone-carver, if nothing more.
The workmanship of these details, however, does not rise to the heights achieved by the architect who outlined the plan and foundation upon which they were latterly imposed. They are, too, sadly disfigured, the tympanum in the north portal having been disgracefully ravished.
The interior arrangements are doubly impressive, not only from the effect of great size, but from the novel colour effect--a sort of dull, glowing pink which seems to pervade the very atmosphere, an effect which contrasts strangely with the colder atmosphere of the Gothic churches of the north. A curious feature to be noted here is that the sustaining walls of the vault rest directly on piers _sans_ capitals; as effective, no doubt, as the conventional manner, but in this case hardly as pleasing.
Two altars, one at either end of nave and choir, duplicate the arrangement seen at Albi.
The organ _buffet_, too, is of the same massiveness and elaborateness, and is consequently an object of supreme pride to the local authorities.
It seems difficult to make these useful and necessary adjuncts to a church interior of the quality of beauty shared by most other accessories, such as screens, altars, and choir-stalls, which, though often of the contemporary Renaissance period, are generally beautiful in themselves. The organ-case, however, seems to run either to size, heaviness, or grotesqueness, or a combination of all. This is true in this case, where its great size, and plentifully besprinkled _rococo_ ornament, and unpleasantly dull and dingy "pipes" are of no æsthetic value whatever. The organ, moreover, occupies the unusual position--in a French church--of being over the western doorway.