A few minutes later, in the little drawing-room on the other side of the hall, Catherine and Rose stood together by the open window. For the first time in a lingering spring, the air was soft and balmy; a tender grayness lay over the valley; it was not night, though above the clear outlines of the fell the stars were just twinkling in the pale blue. Far away under the crag on the farther side of High Fell a light was shining. As Catherine's eyes caught it there was a quick response in the fine Madonna-like face.
'Any news for me from the Backhouses this afternoon?' she asked Rose.
'Dying,' said Catherine simply, and stood a moment looking out. Rose did not interrupt her. She knew that the house from which the light was shining sheltered a tragedy; she guessed with the vagueness of nineteen that it was a tragedy of passion and sin; but Catherine had not been communicative on the subject, and Rose had for some time past set up a dumb resistance to her sister's most characteristic ways of life and thought, which prevented her now from asking questions. She wished nervously to give Catherine's extraordinary moral strength no greater advantage over her than she could help.
Presently, however, Catherine threw her arm round her with a tender protectingness.
'What did you do with yourself all the afternoon, Röschen?'
'I practised for two hours,' said the girl shortly, 'and two hours this morning. My Spohr is nearly perfect.'
'And you didn't look into the school?' asked Catherine, hesitating; 'I know Miss Merry expected you.'
'No, I didn't. When one can play the violin and can't teach, any more than a cockatoo, what's the good of wasting one's time in teaching?'
Catherine did not reply. A minute after Mrs. Leyburn called her, and she went to sit on a stool at her mother's feet, her hands resting on the elder woman's lap, the whole attitude of the tall active figure one of beautiful and childlike abandonment. Mrs. Leyburn wanted to confide in her about a new cap, and Catherine took up the subject with a zest which kept her mother happy till bedtime.
'Why couldn't she take as much interest in my Spohr?' thought Rose.
Late that night, long after she had performed all a maid's offices for her mother, Catherine Leyburn was busy in her own room arranging a large cupboard containing medicines and ordinary medical necessaries, a storehouse whence all the simpler emergencies of their end of the valley were supplied. She had put on a white flannel dressing-gown and moved noiselessly about in it, the very embodiment of order, of purity, of quiet energy. The little white-curtained room was bareness and neatness itself. There were a few book-shelves along the walls, holding the books which her father had given her. Over the bed were two enlarged portraits of her parents, and a line of queer little faded monstrosities, representing Rose and Agnes in different stages of childhood. On the table beside the bed was a pile of well-worn books--Keble, Jeremy Taylor, the Bible--connected in the mind of the mistress of the room with the intensest moments of the spiritual life. There was a strip of carpet by the bed, a plain chair or two, a large press; otherwise no furniture that was not absolutely necessary, and no ornaments. And yet, for all its emptiness, the little room in its order and spotlessness had the look and spell of a sanctuary.