At a later stage the old man shared in the civil government with monarchy, aristocracy or oligarchy, and retained an almost complete control of judicial affairs. His moral and technical efficiency were still appreciated. His moral efficiency to his contemporaries consisted in the fact that his passions were deadened and his judgment as disinterested as was humanly possible. Even his obstinacy is rather an advantage than otherwise. He is not liable to whims and fancies and sudden gusts of temper or to external influence. His technical efficiency is considerable, because he has seen and remembered much and his mind has unconsciously drawn up a reference book of cases. As history repeats itself with very slight alterations, every fresh case which arises is already well known to him; it does not take him by surprise and he has a solution at hand which only requires very slight modification.
All this, however, is very ancient history. That which undermined the authority of old men was the book. Books contain all science, equity, jurisprudence and history better, it must be confessed, than the memories of old men. One fine day the young men said: "The old men were our books; now that we have books we have no further need for old men."
This was a mistake; the knowledge which is accumulated in books can never be anything but the handmaiden of living science, the science which is being constantly remodelled and corrected by living thought. A book is a wise man paralysed; the wise man is a book which still thinks and writes.
These ideas did not hold; the book superseded the old man, and the old man no longer was a library to the nation.
Later still, for various reasons, the old men drifted from a position of respect to one of ridicule. Undoubtedly they lend themselves to this; they are obstinate, foolish, prosy, boring, crotchety and unpleasant to look upon. Comic writers poked fun at these failings which are only too self-evident and showered ridicule upon them. Then as the majority of audiences is composed of young men, first of all because there are more young men than old, and secondly because old men do not often go to the theatre, authors of comic plays were certain of raising a laugh by turning old men into ridicule, or rather by exposing only their ridiculous characteristics.