The maid, obligingly, took her to a small room; and Juliet, taught by her cruel confusion at the sight of Mrs Ireton, the censure, if not slander, to which travelling alone with a man, however old, might make her liable; determined, at whatever hazard, to hang, henceforth, solely upon herself. She resolved, therefore, to beg the assistance of this maid-servant, to direct her to some safe rural lodging.
But how great was her consternation, when, requiring, now, her purse, she suddenly missed,--what, in her late misery, she had neither guarded nor thought of, her packet and her work-bag!
Every pecuniary resource was now sunk at a blow! even the deposit, which she had held as sacred, of Harleigh, was lost!
At what period of her disturbances this misfortune had happened, she had no knowledge; nor whether her property had been dropt in her distress, or purloined; or simply left at the inn; the consequence, every way, was equally dreadful: and but for Sir Jaspar, whom all sense of propriety had told her, the moment before, to shun, yet to whom, now, she became tied, by absolute necessity, her Difficulties, at this conjuncture, would have been nearly distracting.
When the carriage was returned, with fresh horses, Sir Jaspar found her in a situation of augmented dismay, that filled him with concern; though he also saw, that it was tempered by a grateful softness to himself, that he thought more than ever bewitching.
He assured her that Mrs Ireton, whom he had adroitly shaken off, had not perceived her; but the moment that they were re-seated in the chaise, she communicated to him, with the most painful suffering, the new, and terrible stroke, by which she was oppressed.
Viewing this as a mere pecuniary embarrassment, the joy of becoming again useful, if not necessary, to her, sparkled in his eyes with almost youthful vivacity; though he engaged to send his valet immediately to the inn, to make enquiries, and offer rewards, for recovering the strayed goods.
This second loss of her purse, she suffered Sir Jaspar, without any attempt at justification, to call an active epigram upon modern female drapery; which prefers continual inconvenience, innumerable privations, and the most distressing untidiness, to the antique habit of modesty and good housewifery, which, erst, left the public display of the human figure to the statuary; deeming that to support the female character was more essential than to exhibit the female form.