On Friday they sought out a celebrated musician, but the long, supple hands--veritable "piano-hands" he noted from the first--availed the girl in no way here. The maestro said she "might spend years in study, but the soul was not attuned to it."

When Saturday came they went to a famous teacher for the voice. But, alas! Hyacinthe, he said frankly, had "no divine possibilities shrined in her mellow tones." Perhaps she was a little, just a little, disheartened on Saturday night. If so, none knew it.

Lippincott's Magazine, Vol. 22, August, 1878 — Part 106

On Sunday the old ladies took her to St. Martin-le-Grand's church, but all she said over the early cold dinner was, "Women cannot preach in the churches. I could not find him there."

Lippincott's Magazine, Vol. 22, August, 1878 — Part 106

And Miss King said grace after that meat in a loud and aggressive voice, but Miss Juliet whispered a soft and sweet "Amen."

Lippincott's Magazine, Vol. 22, August, 1878 — Part 106

On Monday morning Hyacinthe slipped from the house unseen. There was a vein of subtlety and finesse in her that came to the surface on occasion: it had been in Haidée Amic and in her ancestors. She repaired to a _maître de ballet_, an old man who lived in an old house in the East End.

"Can you learn to dance, mademoiselle--learn to dance 'superbly'?" repeated the danseur after his applicant. "Well, I should say no, most decidedly--never. You have not a particle of _chic_, coquetry: you were made for tragedy, mademoiselle, and not for the airy, indefinable graces of my art. You should devote yourself to the drama."

Hyacinthe looked up, and the old Italian repeated his assertion, adding a recommendation to seek an interview with Mr. Arbuthnot, the proprietor and manager of one of the principal theatres. Before Hyacinthe returned to the little domicile in Craven street she had been enrolled as a member of the company of this temple of the dramatic art.

Arbuthnot was speculative, and withal lucky: he had never brought out even a "successful failure," and a something in this odd young woman's beauty, earnestness, frankness, pleased him. He gave her the "balcony scene," of course, to read to him; noted her poses, which were singularly felicitous; knew at once that she was not cast for the lovesick Veronese maiden; was surprised to discover that she was quite willing to follow his advice--to begin in small parts and work her way up if possible. The shrewd London manager foresaw triumphs ahead when the insignificant "Miss H. Leroy" should pass into the actress Hyacinthe King.