The only contemporary whose treatment by the Blackwood trio is truly consistent was Leigh Hunt, and of him it was consistently blackguardly. To return to the first number of the new series, three articles were counted on to create an uproar. First, the aforesaid emptying of the critical slop-pail on Coleridge. Second, the _Translation from an ancient Chaldee Manuscript_, being a biting personal satire, in language parodied from the Bible, on noted Edinburgh characters, including the Blackwood group themselves, disguised under transparent nicknames that stuck, Blackwood as Ebony, Wilson as the Leopard, Lockhart as the Scorpion that delighteth to sting the faces of men. Third, the article on the Cockney School of Poetry, numbered as the first of the series, headed with a quotation from Cornelius Webb, and signed with the initial 'Z.' As a thing to hang gibes on, the quotation from the unlucky Webb is aptly enough chosen:--

Our talk shall be (a theme we never tire on) Of Chaucer, Spenser, Shakespeare, Milton, Byron, (Our England's Dante)--Wordsworth, Hunt, and Keats, The Muses' son of promise, and what feats He yet may do--

Life of John Keats — Part 220

Nor are the gibes themselves quite unjustified so far as they touch merely the underbred insipidities of Leigh Hunt's tea-party manner in _Rimini_. But they are as outrageously absurd as they are gross and libellous when they go on to assail both poem and author on the score of immorality.

Life of John Keats — Part 220

The extreme moral depravity of the Cockney School is another thing which is for ever thrusting itself upon the public attention, and convincing every man of sense who looks into their productions, that they who sport such sentiments can never be great poets. How could any man of high original genius ever stoop publicly, at the present day, to dip his fingers in the least of those glittering and rancid obscenities which float on the surface of Mr Hunt's _Hippocrene_? His poetry is that of a man who has kept company with kept-mistresses. He talks indelicately like a tea-sipping milliner girl. Some excuse for him there might have been, had he been hurried away by imagination or passion. But with him indecency is a disease, as he speaks unclean things from perfect inanition. The very concubine of so impure a wretch as Leigh Hunt would be to be pitied, but alas! for the wife of such a husband! For him there is no charm in simple seduction; and he gloats over it only when accompanied with adultery and incest.

Life of John Keats — Part 220