"Something happened to me," he thought. "What was it?"; he thought for a few seconds and remembered. "I began to draw the sadness of prostitutes to compete with my peers--to show how clever I was. Then I married Noppawan to share my success... to confirm that it happened through her and for her to enjoy it...and then there was this mixing and fusing of selves like colors that could not be separated without destroying what they were painted on. Earlier, when I was still wet behind the ears, my life was certainly less complicated" --meaning that as an undergraduate in his late teenage years he had not yet gone astray from hedonistic aims.
Now in the little casual sex he had, eroticism found itself impaled in envisaging exploited frailties and male aggression behind the façade of the beer and chip gaiety of prostitutes and clients sitting around stages of dancing girls. It was pointless to determine whether or not the competition with peers or maturity itself were culprits or facilitators of more meaningful interaction, and it was pointless to determine if this artistic competition with peers had aggravated a dormant tenderness and empathy that might well have been left alone for a happier existence. He possessed the sixth sense of empathy now and it was not the type of thing one could discard. "So," he thought, "I've gotten older. It is surely better that way"--meaning something to the effect of, "So there is now this maturity with its yearning for connections to others, an aggrandizing of a petty self in union with another, making strangers of the night less erotic than they would have seemed in youth...so, there is empathy..so empathy of a former sufferer of this world to present sufferers is my lot...so I made some badly constructed bridges to women in the past as relationship building was new to me, maybe I can be a better engineer in the future."
Early into his career, he halfway believed that in his studies of the dejected Patpong whores, petrous automatons of suburbia, desperate homeless mendicants blowing bird whistles at pedestrians near the Chao Phraya river pier, and himself, an outsider inside the travail, the torture, the jailhouse of this unjust world, that he would somehow redeem all. He did pay the nude models who posed for and lay with him but apart from this, neither in amorphous smudges on tattered paper as a boy nor disciplined depictions of form on canvas as a man had he in the least contributed to the redemption of his thralls. And for all his money Jatupon was still there within him shining with tender King Rama V's Chulalongkorn eyes of suffering for his people. Those smudges helped no one but himself and for all his money he could not buy the thing that he wanted most--a hardened mask and protective gear similar to that which he had worn while fencing in his undergraduate days at Silpakorn University which might fortify him from being impaled by dejected beggars, peddlers and their carts, sidewalk restaurant workers, whores, and monks who were never given a chance. Suffering abounded--it scurried away from the heat of the sun like a legless mutant seeking the slippery shade of shadows on the sidewalks and it would be there through decades, centuries, and millenniums to come regardless of temporary external forms.