[Illustration: 178.--STAIRCASE AT OCKWELLS MANOR HOUSE, BERKSHIRE. PLANS AND DETAILS.]

[Illustration: 179.--STAIRCASE AT BENTHALL HALL, SHROPSHIRE.]

Early Renaissance Architecture in England — Part 97

[Illustration: 180.--STAIRCASE AT WARWICK.]

Early Renaissance Architecture in England — Part 97

[Illustration: 181.--STAIRCASE AT THE CHARTERHOUSE.]

Early Renaissance Architecture in England — Part 97

There was no end to the variety which the workmen imparted to the simple constructional features which were the groundwork of the design. The points which were always aimed at were breadth of way, ease of ascent, massive appearance, and very frequently richness of effect. The series of stout newels going up and up in a long procession, each crowned with a handsome finial or heraldic animal, alone is enough to lend stateliness to the staircase; and when these are supplemented with quaint balusters, or a row of arches, or, as in later days, with a carved foliated filling, beyond which is seen the highly ornamented string of the upper flight, the whole effect is particularly striking. As a rule the flights were short, from six to eight steps being considered enough between the various landings, but the number varied according to the height to be attained and the space at command.

These fine staircases were clearly made for show as well as use, because it not infrequently happens that having reached the first floor, which was their chief object, they sweep upwards with equal grandeur to the next, where there are only insignificant attics. The upper staircase, however, although it leads to no important room, would be in full view of those who came to the first floor; and it was on this floor that some rooms were placed which were the resort of all who were staying in the house--namely, the Great Chamber and the Long Gallery. The great chamber was, among princes and nobles, the presence chamber, where they received guests. It was the "Great Chamber of Estate." In smaller houses it answered much the same end as the drawing-room of the present day. Even so inconsiderable a person as Slender, who was a small squire, had a great chamber in his house, which he took care to mention casually in the course of his controversy with Falstaff as to the picking of his pocket.